PRINT October 2014


Maria Lassnig

Maria Lassnig, Selbstporträt mit Kochtopf (Self-Portrait with Cooking Pot), 1995, oil on canvas, 49 1/4 × 39 3/8".

EMPHASIS ON CHEEKBONES cheekbones squared chip blue Austria realize to suspense where shit squared chip Chin Chin chin will Francis Bacon believes in the a background he contains them in a man space room contained in a room fit for a father will he come the father augury almighty to punish the little boy says Muery Marie Maria there must be a girl named Maria she won’t leave and nothing nothing she may paint a father bit but not a mother nothingness nothingness is in the background there is nothing in the background the human body body sensation mouth opened in shock shock or of nothingness body pathetic yellow pink aqua-green in nothingness does not remise see the connected reality one so alone as nothing thank you think alien abstraction creature open large square chin small for had head body blob forehead all small upper head no sexual insertion no representation of Human to hand insertion bird birdie birdie face to face blue face abstraction blue face obstruction mouth open mouth level blue backgrounds Francis Bacon does not know how to paint backgrounds realize that “Francis Bacon does not know how to paint backgrounds” animals general gauntlet my genitals or genitals twist small animal up against my genitals the push the frog right up close I don’t need to look at the creature small animals the cat the cat the burden right hand bottom of my third of my hand shoved up not inside is at the outside of my crotch mallard duck dick yellow yellow background blue background green background white white blue abstract biomorphic biomorphic form I am a joke I am a joke I poke me in the I eyeball interface large cheekbones gap mouth and monkey monkey who is a monkey we are monkeys what hands up Inside no just fingers inside abstraction body inside goo-blue background bird underneath hands up inside near the crotch hide it stay inside sensation of twat eyes alien face feeling any paint pink naked as a blue jay hand on twat sensation sit on my lap no I’m not your father you’re not my father and Tooling the clock AUGE IN FAHR cheekbones alien is modern him cut humankind porn and my separated from the universe why did I see my realization that death will be or could be a gentle fading away that a two-dimensional picture or drawing can be more yet in the various ways want me even more Martin love is like a criminal field of color because they see the painting for the surroundings phenomena of aging the sensation must be as clear at certainty most familiar survival past only after you the cherry tree full of robins in the winter such hope for the summer the world words to K words delay beyond the static and senior portrait that is real or them contemporary artist who abstraction ridiculous we can’t get anything done going handgun pointed gun at me at her slit visible me that it can. This penis to eat peanuts to Paint tube penis to add mouth open I mouth opens sperm paint bomb ain’t bomb eight open your mouth painting naked. Painting as sex sublimate here we are at the ending the plastic over the head the plastic drape plastic hanging over the head dark face at the top of the stairs there she is the dream covered in plastic covered in plastic wire cover the plastic sacks cool milk’s sex for sexual hands to the Facebook faced top of the stairs top of the stairs the stairs plastic-covered dream come plastic cover desire plastic covered what opposite opposite opposite of Marie Marie Paul yellow blue red opposite Marie cup covered in plastic veil why why why top of the stairs there she is covered in plastic hands-on had head blue face alien pink strapless dress waves goodbye fades dead dead.

Paul McCarthy is an artist based in Los Angeles.