TABLE OF CONTENTS

December 2014

image view Cover. Left to right, top to bottom: Robert Gober, Untitled (detail), 2003–2005, plaster, fir, wool, linen, photolithograph on paper, oil paint, enamel paint, watercolor, pastel, graphite, bronze, cast plastic, polyethylene, lead crystal, fiberglass, nickel-plated bronze, wood, water, recycling pumps, stoneware, urethane, rubber, cement, feather re-creation of American robin, blown glass, Flashe paint, aluminum, pewter, beeswax, human hair, pigment, socks, shoes, dimensions variable. Christopher Williams, Bouquet for Bas Jan Ader and Christopher D’Arcangelo (detail), 1991, archival corrugated board, archival photo corners, compound, four-ply Conservamat, eight-ply Conservamat, drywall, dye transfer print, glass, lacquer-based finish, linen tape, nails, Northern maple, plastic setback strips, primer, screws, seaming tape, paint, and wood, 10' × 15' × 6 3/4“. Lygia Clark, Relógio de sol (Sundial), 1960, aluminum with gold patina, approx. 20 7/8 × 23 × 18 1/8”. Kerry James Marshall, Black (detail), 2012, acrylic on canvas, 8' × 17' 10“. From the series “Who’s Afraid of Red, Black and Green,” 2011–12. Mark Leckey, Felix the Cat, 2013, fabric, fan. Installation view, Wiels Contemporary Art Centre, Brussels, 2014. Lucio Fontana, Concetto spaziale (Spatial Concept) (detail), 1962, oil on canvas, 31 7/8 × 25 1/2”. © Artists Rights Society (ARS), New York/SIAE, Rome. Trisha Donnelly, Untitled, 2014, digital video, color, silent, 4 minutes. Jutta Koether, Luise (detail), 2013, polyethylene, clear resin, 37 3/8 × 37 3/8 × 33 7/8“. Julian Schnabel, Untitled (detail), 1990, resin and gesso on burlap, 120 × 108”. © Julian Schnabel/Artists Rights Society (ARS), New York. Garry Winogrand, Los Angeles, California (detail), 1969, gelatin silver print, 16 × 20“. Jana Euler, Untitled (detail), 2013, oil on canvas, 55 1/8 × 78 3/4”. Anicka Yi, It Only Takes 20 Minutes to Shift the Blame, 2013, chromed sphere, glycerin soap, resin, nylon string, acrylic paint, vinyl tubing, steel, brass, acrylic rod, limestone, 15 3/4 × 16 1/2 × 9 3/8“. Pierre Huyghe, L’Expédition scintillante, Acte 2 (The Sparkling Expedition, Act 2), 2002, wood, steel, lighting system, smoke system, electronics, sound. Installation view, Centre Pompidou, Paris, 2014. © Pierre Huyghe/Artists Rights Society (ARS), New York/ADAGP, Paris. Hannah Höch, Untitled (detail), 1929, photomontage and collage, 19 1/4 × 12 3/4”. From the series “Aus einem ethnographischen Museum” (From an Ethnographic Museum), 1924–30. © Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn. Collier Schorr, Boots, Chair, Hair (detail), 1998–2014, gelatin silver print, 60 × 45 3/4".

December 2014, Vol. 53, No. 4

columns features reviews
COLUMNS
THE ARTISTS' ARTISTS

Vito Acconci, Mounira Al Solh, Marwa Arsanios, Korakrit Arunanondchai, John Baldessari, Lucas Blalock, Antoine Catala, Maurizio Cattelan, Susan Cianciolo, Alex Da Corte, Tacita Dean, Alex Dordoy, Loretta Fahrenholz, Vincent Fecteau, Kim Gordon, Wade Guyton, Trajal Harrell, Maria Hassabi, Lisa Jo, Rashid Johnson, Morag Keil, Andrew Kuo, Gabriel Kuri, Adriana Lara, Simone Leigh, Glenn Ligon, Park McArthur, Dave Miko, Jeanette Mundt, Oscar Murillo, Shahryar Nashat, Paulo Nazareth, Shinro Ohtake, Virginia Overton, Marlo Pascual, Adam Pendleton, Laure Prouvost, Nick Relph, Pamela Rosenkranz, Ed Ruscha, Jacolby Satterwhite, Aura Satz, Wolfgang Tillmans, Lawrence Weiner, Hu Xiaoyuan on The Best Exhibitions of 2014

columns features reviews
columns features reviews