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PORTFOLIO

Photocollage created by a Scientologist artist and published in Monster magazine, mid-twentieth century.

IN THE MID-1990S, when I was researching the camera obscura in relation to an installation I was planning, I began to discover some forgotten intersections in the histories of optics and architecture, which I felt had a particular relevance to multimedia art. While stringing together these various historical gems into a time line, I fell in love with a wide-ranging cast of characters and technologies, including the chemist and physicist William Crookes, the French scientist Étienne-Jules Marey, the mystic Katie King, and Athanasius Kircher’s magic lantern. Little did I know that I had fallen down a rabbit hole, one that would propel my passion for collecting for some time to come.

Twenty years and twenty-five hundred images and objects later, I have started the process of figuring out how to present the resulting archive to the public. This has been a strange undertaking, because

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