THREE YEARS AFTER the Islamic State’s brutal offensive in Iraq, and with no end in sight to the civil war raging in Syria after six years of conflict, the Middle East is confronting new waves of fundamentalism and fascism. At the same time, the West has made a dramatic turn inward, with potentially disastrous consequences for its role in the international community. Now, when art’s critical engagement and resistance are so acutely needed, Artforum invited art historian Nasser Rabbat to reflect on two recent exhibitions in Beirut that offer a glimpse of a more cosmopolitan future.

Ginane Makki Bacho, Cedar, 2011, shrapnel, 32 1/4 × 23 5/8 × 16 1/8". From the series “Cedars,” 2010–16.

DESPITE BEING RAVAGED by an unresolved civil war that raged for fifteen years, from 1975 to 1990, and plagued by a dysfunctional political system, Beirut—chaotic, crowded, and dirty—is still the most vibrant city in the Middle East. Paradoxically, the very vacuum of power that hampers the city

to keep reading

Artforum print subscribers have full access to this article. If you are a subscriber, sign in below.

Not registered for Register here.

SUBSCRIBE NOW for only $50 a year—65% off the newsstand price—and get the print magazine plus full online access to this issue and our archive.*

Order the PRINT EDITION of the March 2017 issue for $17 or the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.