1 “UPRISINGS” (JEU DE PAUME, PARIS; CURATED BY GEORGES DIDI-HUBERMAN) I saw this exhibition the day after the US elections, so its photographs, prints, posters, and videos on the theme of rebellion, protest, and disruption could not have seemed more urgent. But Didi-Huberman wasn’t just trying to agitate viewers; for all its provocations, his installation was shrewdly modulated, subtle, and surprising. From Goya to Tina Modotti, John Heartfield to Lorna Simpson, his choices resonated, and every passage of the show felt electric, invigorating. Although a history of insurrectionongoing, unendingrisks winding down into futility, I left furious, ready to storm the barricades.
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