TABLE OF CONTENTS

April 2018

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Cover: Barbara Hammer, Multiple Orgasm, 1976, 16 mm transferred to digital video, color, silent, 5 minutes 32 seconds.

April 2018, Vol. 56, No. 8

columns features reviews

COLUMNS

BOOKS

Kaitlin Phillips on The Rhonda Lieberman Reader

FILM

Melissa Anderson on Sophie Fiennes’s Grace Jones: Bloodlight and Bami

FILM

Amy Taubin on Steven Soderbergh’s Unsane

MUSIC

Malik Gaines on Julius Eastman

ON SITE

Himali Singh Soin on the Dhaka Art Summit

PASSAGES

Tobi Haslett on Mark E. Smith

PERFORMANCE

Jennifer Krasinski on Adrienne Kennedy’s He Brought Her Heart Back in a Box

PERFORMANCE

Zeenat Nagree on performance art in Bangladesh

top ten

Onyx Collective

COMICS

Andrea Long Chu on Alex Norris’s Webcomic Name

columns features reviews

INTO THE LIGHT

Kazuyo Sejima talks with Julian Rose

PAUL MAHEKE

Ciarán Finlayson

CAROLINE MESQUITA

Mara Hoberman

IN THE REALM OF THE SENSES

James Quandt on the films of Lucrecia Martel

TRACE VALUE

Benjamin Paul on the art of Karin Sander

O PIONEER!

Rachel Churner on the art of Barbara Hammer

columns features reviews

Laura Owens, Untitled, 2015, acrylic, oil, and vinyl paint on linen, powder-coated aluminum strainers, five panels. Installation view, 2017–18. Photo: Ron Amstutz.

Sarah K. Rich on Laura Owens

Laura Owens, Untitled, 1999, acrylic and oil on canvas, 102 × 122".

Amy Sillman on Laura Owens

Raden Saleh, Lion Hunt, 1841, oil on canvas, 34 3/4 × 56".

Kevin Chua on “Between Worlds: Raden Saleh and Juan Luna”

Simon Roberts, Grenfell Tower, North Kensington, London, 19 June 2017, C-print, 48 × 60".

London

View of “Unfinished Business,” 2017–18. Photo: Andrew Curtis.

Melbourne

Helen Hughes on “Unfinished Business”

Anna Solal, Infusion camomille 2018, colored pencil on paper, combs, children’s shoes, massage stick, metal rod, carpet, tulle, steering wheel protector, plastic supermarket box, Plexiglas, 37 x 18 1/8 x 3 1/8".

Paris

Alex Cecchetti, Erotic Cabinet, 2017, sixty-nine mixed-media drawings, oak, glass, 49 1/4 x 59 x 27 1/2".

Noisiel, France

Lillian Davies on Alex Cecchetti

Bernhard Fuchs, Almut, 2007, C-print, 12 5/8 x 12 3/4". From the series “Lot” (Fathom), 2007–17.

Berlin

Anita Rée, Self-Portrait, ca. 1913, charcoal and watercolor on paper, 17 1/2 x 12 5/8".

Hamburg

Barry Schwabsky on Anita Rée

Emil Michael Klein, Untitled, 2017, oil on canvas, 101 1/8 x 75 5/8".

Zurich

Adam Jasper on Emil Michael Klein

View of “Marco Bagnoli and Remo Salvadori,” 2018. Background: Remo Salvadori, Nel momento (In the Moment), 1993–2007; Foreground: Remo Salvadori, Continuo infinito presente (Continuous Infinite Present), 1984–2009.

Milan/Pero, Italy

Francesca Pola on Marco Bagnoli and Remo Salvadori

Luca Maria Patella, Le vol entier de Vénus (The Entire Flight of Venus), 1989, wooden tabernacles, Venus statuette, dimensions variable.

Milan

Giorgio Verzotti on Luca Maria Patella

Sanya Kantarovsky, Letdown, 2017, oil, watercolor, and pastel on canvas, 85 x 65".

Turin

Kate Sutton on Sanya Kantarovsky

Liesl Raff, Head 3, 2017, sheet steel, paint, silicone oil, 11 3/8 x 14 5/8 x 4 3/8".

Vienna

David Misteli on Liesl Raff

Sráč Sam, Šičky (Seamstresses), 2008, digital video, color, sound, 5 minutes 6 seconds.

Prague

Noemi Smolik on Sráč Sam

CANAN, Heaven, 2017, tulle curtains, sequins, rope, cloth, bell, light, motor. Installation view. Photo: Murat Germen.

Istanbul

Zeenat Nagree on CANAN

Jaime Lauriano, Trabalho (Work), 2017, mixed media, 8' 2 3/8“ X 16' 4 7/8”.

São Paulo

Camila Belchior on Jaime Lauriano

Gauri Gill, Untitled (13), 2015–, ink-jet print, 24 x 16". From the series “Acts of Appearance,” 2015–.

New Delhi

Jyoti Dhar on Gauri Gill

Gyan Panchal, the seed, 2018, cotton undershirts, mosquito net, resin, wood, 72 1/8 × 42".

Mumbai

Roshan Kumar Mogali on Gyan Panchal

Izumi Kato, Untitled, 2017, wood, soft vinyl, acrylic, 74 1⁄4 × 17 1/4 × 19 5/8".

Hong Kong

Stephanie Bailey on Izumi Kato

Tsubasa Kato, Black Snake, 2017, digital C-print, 17 3/4 x 24 5/8".

Tokyo

Ryan Holmberg on Tsubasa Kato

Jamian Juliano-Villani, Gone with the Wind, 2018, acrylic on canvas, 72 x 96".

New York

Nadia Myre, Pipe, 2017, ink-jet print, 48 x 72".

Montreal

Ara Osterweil on Nadia Myre

Danielle Dean, True Red Ruin (Elmina Castle), 2017, HD video, color, sound, 9 minutes 39 seconds.

Detroit

Matthew Biro on Danielle Dean

View of “Lucas Simões,” 2017–18. From left: Abismo n.83, 2017; White Lies 14, 2017; Abismo n.86, 2017. Photo: Tim Johnson.

Chicago

Daniel Quiles on Lucas Simões

View of “Bari Ziperstein,” 2018. From left: Be a man!, 2017; No, we didn’t reap or plough—we just had a picnic in the field, 2017; The price of glasses of wine, 2017. Photo: Lee Tyler Thompson.

Los Angeles