April 2018

Laura Owens, Untitled, 2015, acrylic, oil, and vinyl paint on linen, powder-coated aluminum strainers, five panels. Installation view, 2017–18. Photo: Ron Amstutz.

Laura Owens, Untitled, 1999, acrylic and oil on canvas, 102 × 122&quot;.

Raden Saleh, Lion Hunt, 1841, oil on canvas, 34 3/4 × 56&quot;.

Amy Lien and Enzo Camacho, Orphaned (AMY-14-SC-081), 2018, ink on rice paper, wood, LEDs, clip-mounted light, 65 x 47 1/4 x 19 1/4&quot;. From the three-part suite Orphans, 2018.

Danielle Dean, True Red Ruin (Elmina Castle), 2017, HD video, color, sound, 9 minutes 39 seconds.

View of “Lucas Simões,” 2017–18. From left: Abismo n.83, 2017; White Lies 14, 2017; Abismo n.86, 2017. Photo: Tim Johnson.

Simone Forti, Big Jump on Back, 1975–78, integral hologram, 56 3/4 x 20 x 13&quot;.

Nadia Myre, Pipe, 2017, ink-jet print, 48 x 72&quot;.

Simon Roberts, Grenfell Tower, North Kensington, London, 19 June 2017, C-print, 48 × 60&quot;.

Alex Cecchetti, Erotic Cabinet, 2017, sixty-nine mixed-media drawings, oak, glass, 49 1/4 x 59 x 27 1/2&quot;.

André Butzer, Untitled (Fru&amp;#776;chte), 2016–17, oil on canvas, 9&#039; 6&amp;#8220; x 14&#039; 1 1/4&amp;#8221;.

Anita Rée, Self-Portrait, ca. 1913, charcoal and watercolor on paper, 17 1/2 x 12 5/8&quot;.

Emil Michael Klein, Untitled, 2017, oil on canvas, 101 1/8 x 75 5/8&quot;.

Luca Maria Patella, Le vol entier de Vénus (The Entire Flight of Venus), 1989, wooden tabernacles, Venus statuette, dimensions variable.

Sanya Kantarovsky, Letdown, 2017, oil, watercolor, and pastel on canvas, 85 x 65&quot;.

Liesl Raff, Head 3, 2017, sheet steel, paint, silicone oil, 11 3/8 x 14 5/8 x 4 3/8&quot;.

Srá&amp;#269; Sam, Ši&amp;#269;ky (Seamstresses), 2008, digital video, color, sound, 5 minutes 6 seconds.

CANAN, Heaven, 2017, tulle curtains, sequins, rope, cloth, bell, light, motor. Installation view. Photo: Murat Germen.

Jaime Lauriano, Trabalho (Work), 2017, mixed media, 8&#039; 2 3/8&amp;#8220; X 16&#039; 4 7/8&amp;#8221;.

Gauri Gill, Untitled (13), 2015–, ink-jet print, 24 x 16&quot;. From the series “Acts of Appearance,” 2015–.

Gyan Panchal, the seed, 2018, cotton undershirts, mosquito net, resin, wood, 72 1/8 × 42&quot;.

Izumi Kato, Untitled, 2017, wood, soft vinyl, acrylic, 74 1&amp;#8260;4 × 17 1/4 × 19 5/8&quot;.

Tsubasa Kato, Black Snake, 2017, digital C-print, 17 3/4 x 24 5/8&quot;.

View of “Unfinished Business,” 2017–18. Photo: Andrew Curtis.