TABLE OF CONTENTS

September 2018

list view

Publicity image for Anna Halprin's Ceremony of Us, 1969, San Francisco, 1969. Photo: Susan Landor Keegin.

September 2018, Vol. 57, No. 1

columns previews features reviews

COLUMNS

BOOKS

Damon Krukowski on Ryan H. Walsh’s Astral Weeks

BOOKS

Carlos Brillembourg on El Helicoide

Editor’s Letter

Elizabeth Schambelan on propaganda and terror

FILM

Melissa Anderson on Germaine Dulac

PASSAGES

Jason Moran on Cecil Taylor

SLANT

Claire Bishop on the Shed

top ten

Marilyn Minter

columns previews features reviews

Fall Exhibitions

FALL 2018 EXHIBITIONS

Focus Preview

“The Most Dangerous Game”

columns previews features reviews

REVERIES OF A SOLITARY DANCER

David Velasco on the art of Adrian Piper

PROJECT: AWOL ERIZKU

SANCTUARY: JUDSON’S MOVEMENTS

David Velasco

Presence at the Creation

Catherine Damman on Judson Dance Theater

Deborah Hay

on Judson Dance Theater

Claudia La Rocco

on Anna Halprin

Yvonne Rainer

on Steve Paxton

Carolee Schneemann

on Judson Dance Theater

Deborah Jowitt

on Jill Johnston

La Monte Young

on Judson Dance Theater

Dorothea Rockburne

on Judson Dance Theater

Barbara Moore

on Peter Moore and Judson Dance Theater

Steve Paxton

on Judson Dance Theater

CENTERFOLD: WOMEN’S HISTORY MUSEUM

PHANTOM LIMBS

Solveig Nelson on Simone Forti’s Holograms

HUMAN NATURE

DAN NADEL ON THE ART OF ELLEN BERKENBLIT, CARROLL DUNHAM, SARAH PETERS, AND KYLE STAVER

OPENINGS: FLANNERY SILVA

Paige K. Bradley on the art of Flannery Silva

columns previews features reviews

Julie Becker, Marking Territory (detail), 2004, mixed media on paper, 11 × 17".

Charlie Fox on Julie Becker

Ranjani Shettar, Seven ponds and a few raindrops, 2017, stainless steel, muslin, tamarind, natural dyes. Installation view, Metropolitan Museum of Art, New York, 2018.

David Frankel on Ranjani Shettar

Maren Hassinger, Our Lives, 2008/2018 newspaper, 72 × 72".

New York

View of “Out of Easy Reach,” 2018. From left: Lisa Alvarado, Traditional Object 21, 2017; Lisa Alvarado, Traditional Object 15, 2014. Photo: Tom Van Eynde.

Chicago

Sampada Aranke on “Out of Easy Reach”

View of “Joy Feasley and Paul Swenbeck,” 2018. Photo: Jeff Machtig.

Sheboygan

Bea Huff Hunter on Joy Feasley and Paul Swenbeck

Amy Sherald, What’s precious inside of him does not care to be known by the mind in ways that diminish its presence (All American), 2017, oil on canvas, 54 × 43".

Saint Louis

Jessica Baran on Amy Sherald

Allen Ruppersberg, Greetings from California, 1972, acrylic on canvas, 65 7⁄8 × 66".

Minneapolis

Lauren Mackler on Allen Ruppersberg

View of “Susan Cianciolo,” 2018. Photo: Brian Forrest.

Los Angeles

Bharti Kher, Mother and Child, 2014, resin, wood, wax, fur, 58 1⁄4 × 24 × 70 7⁄8".

Montreal

Nicolás Lamas, Untitled (Becoming Animal), 2018, used domestic refrigerator, vintage fur coat, 19 1⁄4 × 21 5⁄8 × 33 1⁄2".

London

View of “Li Shurui,” 2018. Photo: Claire Dorn.

Paris

Kader Attia, Untitled, 2017, mirrors, plywood, steel beams, shoes, 63 × 30 × 26".

Vitry-Sur-Seine

C. C. McKee on Kader Attia

View of “John Cornu and Peter Downsbrough,” 2018. Photo: Gilles Ribero.

Brussels

Franz Thalmair on John Cornu and Peter Downsbrough

View of “Mario García Torres,” 2018. From left: An Impossible Crack in Reality, undated; So You, undated; Helmut Berger, The Cordiality Paradox, undated; The Belonging Game, undated. Photo: Jens Ziehe.

Berlin

View of “Suse Bauer,” 2018. Photo: Felix Krebs.

Ahrensburg

Jens Asthoff on Suse Bauer

Pamela Rosenkranz, Amazon Spirits (Green Blood) (detail), 2018. Installation view. Photo: Gunnar Meier.

Zurich

Maja Naef on Pamela Rosenkranz

Elaine Reichek, Minoan Family Tree, 2014, hand embroidery on linen, 24 × 22 1⁄8".

Vienna

Ida Panicelli on Elaine Reichek

View of “Post Zang Tumb Tuuum. Art Life Politics: Italia, 1918–1943,” 2018. Photo: Delfino Sisto Legnani and Marco Cappelletti.

Milan

Raffaele Bedarida on “Post Zang Tumb Tuuum”

Giovanni Anselmo, Untitled, 1967, wood, Formica, polyethylene, vise, 74 7⁄8 × 47 1⁄4 × 9 7⁄8".

Turin

Giorgio Verzotti on Giovanni Anselmo

Francesco Clemente, Black Flags Blue Sky II, 2016, oil on canvas, 71 1⁄4 × 87".

Rome

Ida Panicelli on Francesco Clemente

View of “Flo Kasearu,” 2018. Photo: Stanislav Stepaško.

Tallinn

Travis Jeppesen on Flo Kasearu

View of “Rayyane Tabet,” 2018. Background: Basalt Shards, 2017. Foreground: Kopf Hoch! Mut Hoch! Und Humor Hoch! (Chin Up! Good Luck! And Keep Smiling!), 2017.

Beirut

Gökcan Demirkazik on Rayyane Tabet

View of “Marcia de Moraes,” 2018. From left: Realismo fantastico 1 (Fantastic Realism 1), 2018; O Olho (The Eye), 2018. Photo: Filipe Berndt.

São Paulo

Camila Belchior on Marcia de Moraes

Alwar Balasubramaniam, Study for a liquid mountain, 2017–18, fiberglass, iron, 111 × 56 × 56".

New Dehli

Meera Menezes on Alwar Balasubramaniam

Hu Zi, Florence Neptune V, 2018, gouache on paper, 89 3⁄8 × 44".

Shanghai

Arthur Solway on Hu Zi

Sachiko Kazama, Dyslympics 2680, 2018, woodcut, 7'11 1⁄2" × 21'.

Saitama

Ryan Holmberg on Sachiko Kazama

Shu Lea Cheang, Making News Making History—Live from Tiananmen Square, 1989, five-channel video, color, sound, 30 minutes.

Taipei

Jyoti Dhar on “(Not) Just a Historical Document”

Andrew Esiebo, Marina, 2018, ink-jet print, 39 × 59".

Lagos

Ayodeji Rotinwa on Andrew Esiebo

Tiger Yaltangki, Malpa Wiru (Good Friends), 2018, acrylic on linen, 48 × 59 1⁄2".

Melbourne

Helen Hughes on Tiger Yaltangki