TABLE OF CONTENTS

October 2018

list view

Anni Albers, With Verticals (detail), 1946, cotton, linen, 61 x 46 1/2".

October 2018, Vol. 57, No. 2

columns features reviews

COLUMNS

books

Claire-Louise Bennett on Jean-Jacques Schuhl’s Dusty Pink

books

Alexandro Segade on queer Chicanx zines

FILM

Amy Taubin on Jean-Luc Godard’s Le livre d’image

ON SITE

Jeffrey Saletnik on FRONT International: Cleveland Triennial for Contemporary Art

slant

Celeste Olalquiaga on Medusa

DANCE

Claudia La Rocco on Rashaun Mitchell and Silas Riener’s Desire Lines

VIDEO GAMES

Dawn Chan on Bill Viola’s The Night Journey

top ten

Jeremy O. Harris

columns features reviews

Loosed Threads

Jennifer Krasinski on the art of Reza Abdoh

Out of Your Head: The art of Bruce Nauman

Ken Okiishi

on the art of Bruce Nauman

Jacolby Satterwhite

on the art of Bruce Nauman

Paul McCarthy

on the art of Bruce Nauman

Garbage Man

Sam McKinniss on the art of John Waters

1000 WORDS: WILL RAWLS

TALKS ABOUT HIS RECENT “CURSOR” AND UNCLE REBUS PERFORMANCE WORKS

Iconic Encounter

Michael Lobel on Gordon Parks and Ella Watson

Fallen Angels

Dennis Lim on The Films of Heinz Emigholz

Openings: Charlotte Prodger

Erika Balsom on Charlotte Prodger

columns features reviews

Anni Albers, study for a 1926 unexecuted wall hanging (detail), n.d., gouache and pencil on photo offset paper, 15 1⁄8 × 9 7⁄8".

Lynne Cooke on Anni Albers

Firelei Báez, for Marie-Louise Coidavid, exiled, keeper of order, Anacaona, 2018, oil on canvas. Installation view, Akademie der Künste. Photo: Timo Ohler.

Madeleine Schwartz on The 10th Berlin Biennale

Georg Baselitz, Waldarbeiter (Woodsmen), 1967–68, charcoal and synthetic resin on canvas, 97 7⁄8 × 78 3⁄4".

Carroll Dunham on Georg Baselitz

James Turrell, Missed Approach, 1990, plaster, wood, 15 1⁄2 × 33 3⁄4 × 33 3⁄4".

Los Angeles

View of “Fernanda Laguna,” 2018. From left: 56, 2013; 57, 2013.

London

View of “Pia Camil,” 2018. Photo: Stuart Whipps.

Nottingham

Andrew Hunt on Pia Camil

Isabelle Andriessen, Tidal Spill (detail), 2018, ceramic, metal containers, iron(II) sulphate, potassium dichromate, potassium permanganate, silicone rubber, aluminum, refrigerant compressor, tubes, aroma, compressed air, 56 × 110 × 5". From “Le centre ne peut tenir.” Photo: Pierre Antoine.

Paris

View of “May the bridges I burn light the way,” 2018. From left: Nschotschi Haslinger, Brennende Tasche (Burning Bag) I and II, both 2018. Photo: Christian Siekmeier.

Berlin

Andro Wekua, Untitled, 2018, silkscreen ink and varnish on aluminum panel, 51 × 49 1⁄4".

Zurich

Aaron Bogart on Andro Wekua

View of “Irene Kopelman,” 2018. Walls: 77 Colors of a Volcanic Landscape A, B, C, 2016. Floor: The Levy’s Flight, Puzzle piece #2, 2012. Photo: Kristien Daem.

Rotterdam

Kate Sutton on Irene Kopelman

Aldo Tagliaferro, Memoria-Identificazione (variante blu) (Memory-Identification [Blue Version]), 1972, photograph on panel, 15 × 58 5⁄8".

Milan

Armin Linke, OCEANS. Dialogues between ocean floor and water column, 2017, four-channel video installation, color, sound, 40 minutes. Installation view. Photo: Giulia Bruno.

Venice

Himali Singh Soin on Armin Linke

View of “João Pedro Vale and Nuno Alexandre Ferreira,” 2018. Foreground: Vadios (Vagrants), 2018. Background: Take Ecstasy with Me, 2018. Photo: Bruno Lopes.

Lisbon

Alexandre Melo on João Pedro Vale and Nuno Alexandre Ferreira

Katrīna Neiburga, Pickled Long Cucumbers, 2017, two-channel video, color, sound, 11 minutes 44 seconds. From the 1st Riga International Biennial of Contemporary Art.

Riga

Himali Singh Soin on Riga International Biennial of Contemporary Art

Helidon Gjergji, Trapa Natans Scutariensis, 2018, acrylic, soft drinks, and ink on wall, 9' 10“ × 32' 5 3⁄4” × 3 1⁄4". Installation view. Photo: Lazar Pejovic.

Cetinje

Cathryn Drake on Helidon Gjergji

Tunga, Untitled, 2011, ink on paper, 29 7⁄8 × 20". From the series “La voie humide,” 2011–16.

Rio de Janeiro

Sérgio B. Martins on Tunga

Xinyi Cheng, I surrender . . . , 2018, oil on linen, 55 × 45".

Shanghai

Fiona He on Xinyi Cheng

Aslan Gaisumov, Keicheyuhea, 2017, HD video, color, sound, 26 minutes. From “One Place after Another.”

Moscow

Olga Kopenkina on “One Place after Another”

Anvar Musrepov, IKEA Costume, 2017, IKEA shopping bags, cloth, 64 7⁄8 × 33 3⁄8 × 4". From “Alternative Theses.”

Almaty

Noemi Smolik on “Alternative Theses”

Anne Zahalka, Flocking flamingos, 2018, pigment ink on canvas, 39 3⁄8 × 59”. From the series “Wild Life in the Age of the Anthropocene,” 2018.

Sydney

Toni Ross on Anne Zahalka

Tim Maul, London Hotel, 1989, C-print, 23 1⁄4 × 15".

New York

Nam June Paik, White TV, 2005, monitor, acrylic, permanent oil marker, video (color, silent, 27 minutes 49 seconds), 17 1⁄2 × 17 3⁄4 × 21 1⁄2".

Cambridge

Damon Krukowski on Nam June Paik

View of “Suki Seokyeong Kang,” 2018. Photo: Constance Mensh.

Philadelphia

Bea Huff Hunter on Suki Seokyeong Kang

Luanne Martineau, Knocking Hangers, 2018, hand-needled felt, factory felt, handmade paper, linen, gesso, wood, Velcro, 6' 11“ × 12' 7”.

Chicago

Brian T. Leahy on Elana Herzog and Luanne Martineau

Gordon Parks, Invisible Man Retreat, Harlem, New York, 1952, gelatin silver print, 24 × 20". From “Something (you can’t see, on the other side, of a wall from this side) casts a shadow.”

San Francisco

Gwen Allen on “Something (you can’t see, on the other side, of a wall from this side) casts a shadow