PRINT March 2020


Kandis Williams, Nathan, 2017, sublimated prints on cotton paper, copper wire, plastic, glass, organic potting soil, 15 × 12 × 9".

IN THE MYTH OF EURYDICE, she dies from a snakebite while in flight from a rapist god and goes to the underworld. The underworld here, in Greek myth, unlike in Christianity, has no moral meaning. Life and death are collaged together: Even the dead have to live somewhere, once they are no longer alive. Eurydice’s wannabe rapist, Aristaeus, is a minor god, associated with pleasant everyday things like honey, cheesemaking, and medicinal herbs. Eurydice is hounded to death by the representative of home comforts: That’s her fate, and not hers only.

Eurydice’s husband, Orpheus, is heartbroken. Nymphs hear his mournful song and are so moved they send him to the underworld to retrieve her. They give only one condition: While leading her back up to the surface, he must not turn around and look at her. The rule, like the one about the tree of knowledge in the Garden of Eden, contains its own

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