TABLE OF CONTENTS

March 2022

list view

Gala Porras-Kim, 254 offerings for the rain at the Peabody Museum (detail), 2021, color pencil and Flashe paint on paper, 72 × 72".

March 2022, Vol. 60, No. 7

columns features reviews

COLUMNS

Promotional poster for Yevgenia Belorusets’s Modern Animal (Isolarii, 2021).

books

Domenick Ammirati on Isolarii

Bruce Nauman’s His Mark, 2021, six-channel 4K video 3D projection, color, sound, indefinite duration. © Bruce Nauman/Artists Rights Society (ARS), New York.

slant

Jeffrey Weiss on Bruce Nauman’s His Mark

James Ensor, Peste dessous, peste dessus, peste partout (Plague Above, Plague Below, Plague All Around), 1904, etching with watercolor and crayon, 7 1⁄2 × 11 1⁄2".

on site

Paul Galvez on James Ensor

Alfons Schilling, untitled, 1960, dispersion paint, sand, plaster, and copper on jute, 50 × 39 3⁄8". © Archive Alfons Schilling.

on site

Caroline Lillian Schopp on Günter Brus and Alfons Schilling

Cezary Poniatowski, Compost II, 2021, resin, Styrofoam, soil, towel, compost bins, lightbulbs, smoke, projection. Installation view, Kraftwerk, Berlin. Photo: Helge Mundt.

sound

Nora N. Khan on “Metabolic Rift”

Charles Atlas, Mrs. Peanut Visits New York, 1992–99, video, color, sound, 6 minutes 8 seconds.

top ten

Jordan Strafer shares her top ten

columns features reviews

Lawrence Weiner, late 1980s.

LAWRENCE WEINER (1942–2021)

Benjamin H. D. Buchloh on Lawrence Weiner

Daniel Hesidence, Untitled, 2021, oil on canvas, 78 × 55". From Carrier, 2021.

A VULNERABLE PLACE FROM WHICH TO PAINT

Dan Nadel on the art of Daniel Hesidence

Bassem Saad, Congress of Idling Persons, 2021, 4K video, color, sound, 36 minutes.

CLOSE-UP: THE RIGHT CONNECTIONS

Kaelen Wilson-Goldie on Bassem Saad’s Congress of Idling Persons, 2021

Gala Porras-Kim, 303 offerings for the rain at the Peabody Museum, 2021, color pencil and Flashe paint on paper, 72 × 72".

THE ETHICS OF DUST

Martha Buskirk on the art of Gala Porras-Kim

Nora Turato reading from pool2, Oslo, 2018.

OPENINGS: NORA TURATO

Stephanie LaCava on Nora Turato

Jason Hirata, Sometimes You’re Both (detail), 2019, three-channel HD and digital video (color, sound, indefinite duration), auxiliary HD video (color, sound, 10 minutes), loaned artworks, loaned video documentation, 80WSE Gallery, New York. Photo: Carter Seddon.

OPENINGS: JASON HIRATA

Alex Kitnick on Jason Hirata

columns features reviews

Jacqueline Humphries, Untitled, 2019, pigmented epoxy resin, 26 × 30".

Johanna Fateman on “Looking Back: The 12th White Columns Annual”

Hedda Sterne, Untitled, 1983, acrylic and pastel on canvas, 52 × 72".

New York

Betye Saar, Oasis, 1984, mixed media. Installation view. Photo: Zachary Balber.

Miami

Margaret Kross on Betye Saar

Jonny Negron, Cosmic Dancer, 2021, acrylic on linen, 54 × 74".

Los Angeles

Jagdeep Raina, Lotus Flowers, 2021, embroidered tapestry, cotton thread, silk thread, muslin, 13 × 6".

Toronto

Charlene K. Lau on Jagdeep Raina

View of “Ser Pallay,” 2021–22. Kunan Pallaykuna (Contemporary Andean Textile Iconography) (detail), 2021. Photo: Miguel Palomino.

Cusco, Peru

Horacio Ramos on “Ser Pallay”

Shilpa Gupta, Untitled, 2021, C-print, 16 1⁄2 × 25". From the series “Untitled,” 2021.

London

Omer Fast, Der oylem iz a goylem (The World Is a Golem), 2019, 4K video, color, sound, 24 minutes 40 seconds.

Paris

View of “Katinka Bock,” 2021. Wall, from left: Alex Pompeii, 2021; For your eyes only, parte pelo todo, 2019. Floor: Aal und aal (Eel and Eel), 2021. Photo: Jose Maria Soroa.

Donostia–San Sebastián

Ren Ebel on Katinka Bock

Marinella Senatore, It’s time to go back to street, 2019, graphite and charcoal on paper, 8 1⁄4 × 11 3⁄4". From the series “It’s time to go back to street,” 2019–.

Turin

Veronica Santi on Marinella Senatore

View of “Whose Expression? The Brücke Artists and Colonialism,” 2021–22. Photo: Roman März.

Berlin

View of “Stano Filko,” 2021–22. Photo: Martin Polák.

Brno

Rado Ištok on Stano Filko

View of “Nasan Tur,” 2021–22. From left: The Inner Shadows (Dragon), 2021; The Inner Shadows (Spider), 2021; The Inner Shadows (Wolf), 2021. Photo: Nazlı Erdemirel.

Istanbul

Kaya Genç on Nasan Tur

Sujin Lim, Oil Painting (detail), 2019, five photographs with video (color, sound, 7 minutes 57 seconds).

Jeddah, Saudi Arabia

Rahel Aima on “Echoes: A World Between the Analogue and the Virtual”

Martina Grlić, Reminiscence of Life, 2021, oil on canvas, 23 5⁄8 × 19 3⁄4".

Moscow

Valerie Mindlin on Martina Grlić

View of “Shezad Dawood,” 2021. Works from the series “University of NonDualism,” 2019–20.

Mumbai

Mario D’Souza on Shezad Dawood

Sin Wai Kin, Preface/Looking Without Touching, 2017, HD video, color, sound, 1 minute 2 seconds.

Hong Kong

Nuit Banai on Sin Wai Kin

You Khin, Untitled (The Tailors and the Mannequins), 1981, oil on canvas, 32 5⁄8 × 23 5⁄8".

Singapore

Wong Bing Hao on Chen Cheng Mei and You Khin

George Watson, They are cruel, 2021, HD video, color, sound, 4 minutes 32 seconds.

Auckland

Lucinda Bennett on George Watson