TABLE OF CONTENTS

April 2022

list view

Titian, The Rape of Europa (detail), 1559–62, oil on canvas, 70 1⁄8 × 80 3⁄4".

April 2022, Vol. 60, No. 8

columns features reviews

COLUMNS

R. H. Quaytman, iamb, Chapter 12 (Dan Graham), 2008, silk screen and gesso on wood, 20 × 32 3⁄8".

passages

R. H. Quaytman on Dan Graham

Dan Graham, Performer/Audience/Mirror, 1977. Performance view, De Appel, Amsterdam, 1977. Dan Graham.

passages

Alex Kitnick on Dan Graham

Ramon and Silvan Zürcher, The Girl and the Spider, 2021, 2K video, color, sound, 98 minutes. Lisa (Liliane Amuat) and Mara (Henriette Confurius).

film

James Quandt on Ramon and Silvan Zürcher’s The Girl and the Spider

Participants in the Virginia Commonwealth University School of the Arts Fellows’ fall retreat Art Wilds outside the main house at Mildred’s Lane, Beach Lake, PA, 2009. Photo: Hope Ginsburg.

ON SITE

Ian Bourland on Mildred’s Lane

Artefacts from S. Raoul’s final dig, 2013. From Shubigi Rao’s History’s Malcontents: The Life and Times of S. Raoul (Institute of Contemporary Arts Singapore, 2013).

ON SITE

Kate Sutton on Shubigi Rao and her work at the 59th Venice Biennale

View of Peggy Guggenheim’s collection, Greek pavilion, Venice, 1948. From the 24th Venice Biennale. Photo: Studio Ferruzzi.

VENICE BIENNALE

Cecilia Alemani talks with David Velasco about the 59th Venice Biennale

Lynn Hershman Leeson, Logic Paralyzes the Heart, 2022, 4K video, 13 minutes 53 seconds. Joan Chen (Cyborg 1) dressed by Nina Hollein.

VENICE BIENNALE

Lynn Hershman Leeson on her work for the Venice Biennale

View of “Latifa Echakhch: The Concert,” 2022, Swiss pavilion, Venice. Photo: Annik Wetter.

VENICE BIENNALE

Latifa Echakhch discusses her Venice project

Stan Douglas, London, 2011–08–09 (Pembury Estate), 2017, C-print on dibond, 59 × 118 1⁄8".

VENICE BIENNALE

Stan Douglas on his project for the Canadian Pavilion

top ten

Lea Bertucci shares her top ten

columns features reviews

Basel Abbas and Ruanne Abou-Rahme, Collapse, 2009, digital video, black-and-white, sound, 8 minutes 20 seconds.

POTENTIAL ENERGY

Tausif Noor on the art of Basel Abbas and Ruanne Abou-Rahme

Titian, Diana and Callisto, 1556–59, oil on canvas, 73 5⁄8 × 80 1⁄2".

MEN ARE DOGS

Emmelyn Butterfield-Rosen on Titian’s Poesie for Philip II

Kaari Upson, Portrait (Vain German), 2020–21, urethane, resin, Aqua-Resin, pigment, fiberglass, aluminum, 29 1⁄4 × 23 1⁄4 × 2 7⁄8". From the series “Portrait (Vain German),” 2020–21. © The Kaari Upson Trust.

CLOSE-UP: FAMILY RESEMBLANCE

Michael Ned Holte on Kaari Upson’s “Portrait (Vain German),” 2020–21

Cameron Martin, Deluge, 2021, triptych, acrylic on canvas, each panel 66 × 53".

CLOSE-UP: WITHIN LIMITS

Suzanne Hudson on Cameron Martin’s new paintings

Nikita Kadan, work from the series “The Shadow on the Ground,” 2022, charcoal on paper, 11 3⁄4 × 15".

PROJECT: NIKITA KADAN

David Velasco introduces a project by Nikita Kadan

Nan Goldin, Red sky from my window, 2000, ink-jet print, 31 3⁄4 × 46 7⁄8".

EXCERPT: THE TRUTH ABOUT THE END OF THE WORLD

Cookie Mueller’s “The Truth About the End of the World”

columns features reviews

View of “Decriminalised Futures,” 2022. Table: Copies of Danica Uskert and Annie Mok’s Unsustainable, 2020. Photo: Anne Tetzlaff.

Meg Weeks on “Decriminalised Futures”

View of “Gala Porras-Kim,” 2021–22. Photo: Shark Senesac.

New York

Deana Lawson, Coulson Family, 2008, ink-jet print, 30 × 39 1⁄4".

Boston

Barry Schwabsky on Deana Lawson

Pepe Mar, Grey Matter, 2021, acrylic on printed fabric, 90 × 60".

Miami

Darren Jones on Pepe Mar

View of “David-Jeremiah,” 2022. From left: I Drive Thee, 2021; El Cobarde, 2021; I Drive Thee, 2021.

Dallas

Michael Corris on David-Jeremiah

Woody De Othello, Closed Reflection, 2021, ceramic, glaze, red oak. Installation view.

Sheboygan

Jenny Harris on Woody De Othello

Tamara Rosenblum, Paraíso, 2021. Installation view. Photo: Monica Orozco.

Los Angeles

Carolina Fusilier, Sunday 7:25 pm, 2021, oil on canvas, 59 × 78 3⁄4".

Mexico City

Gaby Cepeda on Carolina Fusilier

Rodell Warner, Augmented Archive 023, 2021, digital video, black-and-white, silent, 32 seconds. From the series “Augmented Archives,” 2021.

Nassau

Miguel A. López on Tamika Galanis and Rodell Warner

Miko Veldkamp, Mirror Stage, 2021, oil, acrylic, and ink on canvas, 54 × 48".

London

Maja Bajevic, A Conversation / You Take My Breath Away (detail), 2022, LED holograms, fans, dimensions variable.

Paris

Edi Hila, Dall’alto (From Above), 2021, oil on canvas, 45 1⁄4 × 45 1⁄8".

Milan

Veronica Santi on Edi Hila

Gabriele Münter, Maschkera, 1940, oil on canvas, 39 1⁄2 × 30 7⁄8".

Bern

Vojin Saša Vukadinovic on Gabriele Münter

Vika Kirchenbauer, Untitled Sequence of Gaps, 2020, HD video, color and black-and-white, sound, 12 minutes 31 seconds.

Vienna

David Misteli on Vika Kirchenbauer

View of “Vaginal Davis,” 2021–22. Photo: Graysc.

Berlin

Ana Teixeira Pinto on Vaginal Davis

James White, The Large Glass 8, 2021, oil and varnish on acrylic-faced honeycomb panel in acrylic box frame, 66 1⁄8 × 79 7⁄8 × 2".

Cologne

Noemi Smolik on James White

Anne Duk Hee Jordan, The Worm: Terrestrial, Fantastic and Wet, 2021, sculptures, black light, video (color, sound, 12 minutes 51 seconds). Installation view. From “Sex Ecologies.” Photo: Daniel Vincent Hansen.

Trondheim

Adam Kleinman on “Sex Ecologies”

Věra Chytilová, Sedmikrásky (Daisies), 1966, 35 mm, color and black-and-white, sound, 76 minutes. Jitka Cerhová (Marie I) and Ivana Karbanová (Marie II). Screenplay by Věra Chytilová and Ester Krumbachová.

Brno

Rado Ištok on Ester Krumbachová

Serkan Taycan, Shell #05, 2012, pigment print, 43 1⁄4 × 54 3⁄8". From the series “Shell,” 2010–13.

Istanbul

Berin Golonu on Serkan Taycan

Yao Qingmei, The Burrow – Monitor & Control, 2021, 4K video, color, sound, 22 minutes 13 seconds.

Beijing

Li Jia on Yao Qingmei

Haneyl Choi, Bulky_fusion 2, 2021, mixed media, 74 3⁄4 × 47 1⁄4 × 55 1⁄8".

Seoul

Andrew Russeth on Haneyl Choi

Kyra Mancktelow, Blak Skin – Blue Jacket, 2021, ink and gold leaf on paper, 47 1⁄4 × 31 1⁄2".

Sydney

Toni Ross on Kyra Mancktelow