TABLE OF CONTENTS

October 2022

list view

Wolfgang Tillmans, Deer Hirsch (detail), 1995, medium and dimensions variable.

October 2022, Vol. 61, No. 2

columns features reviews

COLUMNS

Screening of Gregory J. Markopoulos’s Eniaios, 1947–91, at the Temenos, Lyssarea, Greece, June 10–11, 2022. Photos: Linda Levinson.

film

P. Adams Sitney on Temenos 2022

Irma Vep, 2022, production still from Olivier Assayas’s TV miniseries on HBO. Mira Harberg (Alicia Vikander). Photo: Carole Bethuel.

television

Erika Balsom on Irma Vep

Elsa Schiaparelli, September 1, 1937. Photo: Horst P. Horst.

fashion

Chloe Wyma on Elsa Schiaparelli

Cinzia Ruggeri in her studio, Milan, 1982. Photo: Occhiomagico.

fashion

Emily LaBarge on Cinzia Ruggeri

Michael Rother and Klaus Dinger of Neu! with friends, Ratingen, Germany, 1972. Photo: Peter Lindbergh.

music

Sasha Frere-Jones on Michael Rother

top ten

Barbara Chase-Riboud shares her top ten

columns features reviews

Wolfgang Tillmans, Markt, a, 1989, medium and dimensions variable.

MAKE LIFE BEAUTIFUL

Alex Kitnick on the art of Wolfgang Tillmans

Jumana Manna, Foragers, 2022, HD video, color, sound, 65 minutes.

SEEDS OF CHANGE

Natalia Brizuela and Julia Bryan-Wilson on the art of Jumana Manna

Ira Cohen, Neon Leon, ca. 1968, Cibachrome, dimensions variable. Jack Smith and unknown participant.

INTO THE STORM

Alexandro Segade on the Ororocene

Pierre Buraglio, Fenêtre (Window), 1977, wood, glass, iron, 21 3⁄8 × 20 3⁄4 × 1 1⁄8". © Artists Rights Society (ARS), New York/ADAGP, Paris.

SHARP OBJECTS

Molly Warnock on the art of Pierre Buraglio

Pippa Garner and Jeff Cohen, Backwards Car (Golden Gate Bridge 1), 1974, ink-jet print, 59 × 88 5⁄8".

PORTFOLIO: PIPPA GARNER

Alexis Smith, Same Old Paradise, 1987, eight mixed-media collages on house paint mural, overall 22 × 62'.

CLOSE-UP: GIRLS VISIONS EVERYTHING

Travis Diehl on Alexis Smith’s Same Old Paradise, 1987

Libby Rothfeld, Chair/System, 2017, laminate, clothing, plastic bags, hangers, water bottles, 39 × 31 1⁄8 × 18 1⁄4".

OPENINGS: LIBBY ROTHFELD

Sean Tatol on the art of Libby Rothfeld

columns features reviews

Pixy Liao, Play Station, 2013, digital C-print, 18 × 24". From “Mirror Image: A Transformation of Chinese Identity.”

New York

Joseph Havel, Provence, 2021, cardboard and oil stick on birch plywood, 80 × 60". From the series “Floor Plans,” 2021–22.

Dallas

Michael Corris on Joseph Havel

Jill O’Bryan, NM.1.22, 2022, graphite on paper, 96 × 60".

Santa Fe

Dan Beachy-Quick on Jill O’Bryan

View of “Three Landscapes: JB Blunk, Anna and Lawrence Halprin,” 2022. Photo: Josh Schaedel.

Los Angeles

Swapnaa Tamhane, with Salemamad Khatri and Mukesh Prajapati, Tent: A Space for the Ceremony of Close Readings, 2018, natural dyes on cotton, cotton tassels, acrylic lantern, sound, 96 × 87 × 87".

Toronto

Gabrielle Moser on Swapnaa Tamhane

Jill Magid, Tender Balance, 2021, HD video, color, sound, 28 minutes.

Mexico City

Gaby Cepeda on Jill Magid

View of “Maria Martins,” 2022. Photo: Selmy Yassuda.

Rio de Janeiro

Felipe Scovino on Maria Martins

View of “Lonnie Holley,” 2022. From left: Hung Out III, 2020; Still Busted Without Arms, 2019. Photo: Andy Keate.

London

Claire Barclay, Thrum, 2022, steel, dyed canvas, linen fabric and thread, engine grease, machined aluminum. Installation view. Photo: Simon Mills.

Belfast

Declan Long on Claire Barclay

Mimosa Echard, Sporal, 2022, video game.

Paris

Raúl Domínguez, Media hora de sol (Half an Hour of Sunshine) (detail), 2022, graphite mural, drawings on paper, sticky notes, plastic covers, dimensions variable.

Bilbao

Ren Ebel on Raúl Domínguez

Amalia Pica, (Quasi) Catachresis #10, 2022, chair legs, wooden spheres, glass bottle, 44 1⁄8 × 29 1⁄2 × 18 1⁄8".

Rome

Ana Vukadin on Amalia Pica

Nancy Haynes, Ryūnosuke Akutagawa, 2022, oil on canvas, 9 × 12". From the series “library,” 2017–.

Vienna

Yuki Higashino on Nancy Haynes

Tony Cokes, Evil.80.Empathy?, 2020, HD video, color, sound, 2 minutes 43 seconds.

Munich

Adam Kleinman on Tony Cokes

Fatma Bucak, Damascus Rose, 2016–, roses grown from grafted cuttings, dimensions variable.

Dresden

Jess Chen on Fatma Bucak

Kasper Bosmans, Berserk, 2022, latex-paint mural, dimensions variable.

Brussels

Vivian Sky Rehberg on Kasper Bosmans

El Hadji Sy, Le regardeur (The Watcher), 2022, textile, rope, shells, 29 7⁄8 × 70 7⁄8".

Dakar

Daniel Horn on El Hadji Sy

Rita Ngcobo, Veld Fires at Night, ca. 1969, mixed media, 31 5⁄8 × 20". From “When Rain Clouds Gather: Black South African Women Artists, 1940–2000.”

Cape Town

Nkgopoleng Moloi on “When Rain Clouds Gather: Black South African Women Artists, 1940–2000”

Somnath Hore, untitled, date unknown, woodcut on paper, 5 × 7".

New Delhi

Meera Menezes on Somnath Hore

Yoo Youngkuk, Work, 1963, oil on canvas, 51 1⁄8 × 76 3⁄4".

Seoul

Andrew Russeth on Yoo Youngkuk

Reina Sugihara, Memory of Rib, 2022, oil, charcoal, plaster, and gauze on wood panel, 64 1⁄8 × 44 1⁄8".

Tokyo

Jeppe Ugelvig on Reina Sugihara

View of “Trevor Yeung and Law Yuk-mui,” 2022. Screens: Law Yuk-mui, River Atlas, 2021. Bottles: Law Yuk-mui, River Demarcation, 2021. Photo: Tai Ngai-lung.

Hong Kong

Nuit Banai on Trevor Yeung and Law Yuk-mui

Vivienne Binns, Vag dens, 1967, polymer paint and vitreous enamel on composition board, 48 × 36".

Sydney

Verónica Tello on Vivienne Binns