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  • Robert Rauschenberg, Untitled (Gold Painting) [detail], 1953, gold leaf on fabric, newspaper, wood, paper, and glue on canvas, 19 ¾ x 19 ¾". Inset: Catherine David at the Documenta X press conference, June 19, 1997. Photo: Arno Declair.
    September 1997
    Vol. 36, No. 1
    TABLE OF CONTENTS PURCHASE
  • Cover: Tableau vivant by Jack Smith, ca. 1957/1997, uncropped color photograph printed from a 2¼ x 2¼" negative taken with a reflex camera. Inset: Jarvis Rockwell's collection of toys. Photo: Laurie Simmons.
    October 1997
    Vol. 36, No. 2
    TABLE OF CONTENTS PURCHASE
  • Cover: Richard Tuttle, Waferboard 4, 1996, acrylic on wafer board, 29 1/2 x 18“. Inset: Tazio Secchiarolli, Anita Ekberg, Rome, 1958, black and white photograph. From ”Il Paparazzo/I Paparazzi."
    November 1997
    Vol. 36, No. 3
    TABLE OF CONTENTS PURCHASE
  • Top row, left to right: Dinos and Jake Chapman, Six Feet Under, 1997, fiberglass, resin, and paint, dimensions variable. Installation view. Left to right: GoGo Fuckface and Joey. Robert Rauschenberg, The ¼ Mile or 2 Furlong Piece, 1981–, mixed media, currently consisting of 189 elements, dimensions variable. Installation view, Ace Gallery, New York, 1997. Joe Brainard, Garden, 1967, gouache, 37 x 27“. Carsten Höller and Rosemarie Trockel, Ein Haus für Schweine und Menschen (A house for pigs and men), 1997, mixed media and pigs; house ca. 13' 1 ½” x 39' 4 ½“ x 19' 8”, garden ca. 1,200 square feet. Installation view. Photo: Arno Declair. Middle row, left to right: “Ellsworth Kelly,” 1997. Installation view, Guggenheim Museum, New York. William S. Burroughs, 1962. Photo: Corbis-Bettmann. Richard Patterson, Young Minotaur (detail), 1997, oil on canvas, 82 ¼ x 48 ¼“. Robert Gober, Untitled, 1995–97, mixed media, dimensions variable. Installation view. Photo: Russell Kaye. Bottom row, left to right: David Cronenberg, Crash, 1996, detail of a still from a color film in 35mm, 100 minutes. Catherine Ballard (Deborah Unger). Wong Kar-Wai, Happy Together, 1997 detail of a still from a color film in 35mm, 90 minutes. Left to right: Lai Yiu-Fai (Tony Leung Chiu-Wai) and Ho Po-Wing (Leslie Cheung Kwok-Wing). Flowers at the gates of Kensington Palace before the start of Princess Diana's funeral, London, September 1997. Photo: AP/Bebeto Matthews. Elizabeth Peyton, Beck (detail), 1996, watercolor on paper, 12 x 9”.
    December 1997
    Vol. 36, No. 4
    TABLE OF CONTENTS PURCHASE
  • Sigmar Polke, Parfümbild (Perfume painting) [detail], 1969/71, lacquer on canvas, ca. 59 1/16 x 49 3/16“. Kunstmuseum Bonn. Inset: Andy Warhol, Self-Portrait, 1981-88, Polaroid photograph, 4 1/4 x 3 3/8”.
    January 1998
    Vol. 36, No. 5
    TABLE OF CONTENTS PURCHASE
  • Seydou Keïta, untitled, ca. 1954, black-and-white photograph. Inset: Richard Diebenkorn, Poppies (detail), 1963, oil on canvas, 40 x 30".
    February 1998
    Vol. 36, No. 6
    TABLE OF CONTENTS PURCHASE
  • Carroll Dunham, Killer (detail), 1997, mixed media on linen, 51 x64". Inset: Elizabeth Murray working on If Only in her studio, January 1998. Photo: Kevin Noble.
    March 1998
    Vol. 36, No. 7
    TABLE OF CONTENTS PURCHASE
  • Cover: Chuck Close and Robert Storr during the installation of Close's retrospective at the Museum of Modern Art, New York, February 1998. Background: Chuck Close, Kiki, 1993, oil on canvas, 100 x 84 1/8“. Photo: Tina Barney. Inset: Kenneth Noland, That, 1959, acrylic on canvas, 84 x 84”. From “The Green Mountain Boys.”
    April 1998
    Vol. 36, No. 8
    TABLE OF CONTENTS PURCHASE
  • David Hammons, Two Obvious, 1996, cowrie shells and porcelain, 12 x 14".
    May 1998
    Vol. 36, No. 9
    TABLE OF CONTENTS PURCHASE
  • Cover: Vanessa Beecroft, Show, 1998, twenty models costumed by Tom Ford for Gucci. Performance view. Photo: Mario Sorrenti (detail).  Inset: Alexander Calder, Elephant Head, 1936, sheet metal, wire, lead, and paint, 27½ x 33 x 35".
    Summer 1998
    Vol. 36, No. 10
    TABLE OF CONTENTS PURCHASE
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