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  • Cindy Sherman, Untitled (detail), 2000, color photograph, 30 x 20“. Inset: Peggy Moffitt modeling a visor from Rudi Gernreich's ”Resort" line, 1965. Photo: William Claxton.
    September 2000
    Vol. 39, No. 1
    TABLE OF CONTENTS PURCHASE
  • Cover: John Wesley, B's Wall, 1973, acrylic on canvas, 42 x 50". Inset: Mike Kelley, Extracurricular Activity Projective Recondstruction #1 (A Domestic Scene) (detail), 2000, installation with 22-minute video.
    October 2000
    Vol. 39, No. 2
    TABLE OF CONTENTS PURCHASE
  • Cover: Paul McCarthy, My Doctor, 1978, mask, dolls, mannequin, screwdriver, butter, ketchup, and margarine. Performance view, New York. Inset: Jackson Pollock painting on glass, November 1950. Still from a 16 mm color film by Hans Namuth and Paul Falkenberg. © The Museum of Modern Art and Hans Namuth, Ltd.
    November 2000
    Vol. 39, No. 3
    TABLE OF CONTENTS PURCHASE
  • Cover, clockwise from top left: Dan Flavin, Untitled (Marfa project) (detail), 1996, colored fluorescent lights. Installation view, 2000. Doug Aitken, Electric Earth, 1999, production still. Cindy Sherman, Untitled (detail), 2000, color photograph, 44 x 33“. Léon Fréderic, The Stream (detail), 1890-99, oil on canvas, ca. 81⅛ x 111¼”. Stephen Prina, Vinyl II, 2000, still from a color film in 16 mm, 21 minutes 30 seconds. Gary Boas, Elizabeth Taylor, 1976, color photograph. Paul McCarthy, Tokyo Santa, 1996, Santa costume and ketchup. Performance view. Alice Neel, Andy Warhol (detail), 1970, oil on canvas, 60 x 40“. Gregor Schneider, Totes Haus ur (Dead House ur), 1985–, photographic documentation. External view, Rheydt, Germany. Photo: Gregor Schneider. James Coleman, Photograph, 1989–99, still from projected slide installation with synchronized audio narration, 20 minutes. Steven Meisel, Versace advertising campaign, fall 2000. Tom Friedman, Untitled, 2000, polystyrene, 16 x 16 x 16”. Peter Hujar, Dead Cat, Queens, 1984, black-and-white photograph, 14⅝ x 14¾“. Tom Sachs, Chill Out Japan or Be Nuked Again (detail), 1999, acrylic on resin, 36 x 36”. Damien Hirst, Love Lost (Large River Fish) (detail), 2000, aquatic tank and filtration unit, couch, table, still, surgical instruments, computer, ring, cup, watch, fish, 108 x 84 x 84". Rineke Dijkstra, The Buzzclub, Liverpool, England, 1996–97, still from a color video, 26 minutes 30 seconds.
    December 2000
    Vol. 39, No. 4
    TABLE OF CONTENTS PURCHASE
  • Cover: Andreas Gursky, May Day IV (detail), 2000, C-print, ca. 6' 6 3/4 x 16' 4 7/8“. Inset: Andreas Bowers, Study for Crowd Drawings (Soccer Fans in the Sun), 1999, colored pencil on paper, 22 1/2 x 30”.
    January 2001
    Vol. 39, No. 5
    TABLE OF CONTENTS PURCHASE
  • Joe Brainard, _Untitled (Tattoo), 1972, pencil and ink on paper, 18 x 14“. Inset: Andy Warhol, Pat Hearn, 1985, synthetic polymer paint and silk-screen ink on canvas, 40 x 40”.
    February 2001
    Vol. 39, No. 6
    TABLE OF CONTENTS PURCHASE
  • Photograph taken during production of Jeff Wall's The Flooded Grave (detail). Studying a Polaroid, December 1998. Inset: Euan Macdonald, Two Planes (detail), 1998, single-channel video with sound, 3 minutes 30 seconds.
    March 2001
    Vol. 39, No. 7
    TABLE OF CONTENTS PURCHASE
  • View of Atelier van Lieshout's AVL-Ville, February 2001. Photo: Derk Jan Wooldrik. Inset: Andy Warhol, Sylvester Stallone, 1980, Polaroid, 4¼ x 3⅜".
    April 2001
    Vol. 39, No. 8
    TABLE OF CONTENTS PURCHASE
  • R. M. Schindler, Harris House, 1942-44. Photo: Julius Shulman, 1942. Inset: Martial Raysse, Peinture á haute tension (Painting under high tension) (detial), 1965, oil, fluorescent paint, and neon tube on canvas and photographic paper, ca. 63 15/16 x 38 3/8".
    May 2001
    Vol. 39, No. 9
    TABLE OF CONTENTS PURCHASE
  • Thomas Ruff, stereo h.t.b. 06 (detail), 2000, color photograph, 16 x 16". Cover inset: Cameron Jamie, The New Life, 1996, performance view, Los Angeles.
    Summer 2001
    Vol. 39, No. 10
    TABLE OF CONTENTS PURCHASE
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