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Cover: William Eggleston, Untitled (detail), 1971, color photograph, 16 x 20“. From the portfolio “The Seventies, Volume II,” 1996. Inset: Marlon Banks, Invisible Man (detail), 1997, watercolor on canvas, 22 1/2 x 47”. From “Black Romantic.”

April 2002 Vol. 40, No. 8

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In this issue

Andrew Ross on Andrew Ross on “Black Romantic”

Michael Warner on Outlaw Representation

Sarah Boxer on The Book of 101 Books

Glen Helfand on Sundance Film Festival

View the entire table of contents here.

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