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Issue Prices

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  • Cover: Steve McQueen, Western Deep, 2002, still from a color film in 8 mm, 25 minutes. From Documenta11. Inset: Carroll Dunham, First Invisible Killer (detail), 2000, acrylic on linen, 79 x 73". From Fall Preview.
    September 2002
    Vol. 41, No. 1
    TABLE OF CONTENTS PURCHASE
  • Cover: Kai Althoff, Untitled (detail), 2001, lacquer, paper, watercolor, and varnish on canvas, 27 1/2 x 19 3/4 x 1 1/2“. Inset: Nan Goldin, Joana laughing, l’Hotel, Paris (detail), 1999, color photograph, 30 x 40”.
    October 2002
    Vol. 41, No. 2
    TABLE OF CONTENTS PURCHASE
  • Cover: Rachel Harrison, Utopia (detail), 2002, polystyrene, cement, Parex, acrylic, wood, ceramic figure, and pyrite, 84 x 40 x 38". Photo: Oren Slor. Inset: Gorgon Radeo of Forcefield, October 2001. Photo: Hisham Akira Bharoocha.
    November 2002
    Vol. 41, No. 3
    TABLE OF CONTENTS PURCHASE
  • Cover, spiral from top left: Paul Sietsema, Empire (detail), 2002, still from a color and black-and-white film in 35 mm, 24 minutes. Francis Alÿs, Cuando la fé mueve montañas (When faith moves mountains), 2002. Performance view, Lima, Peru, April 11, 2002. Eva Hesse, Ringaround Arosie, 1965, pencil, ink, and cloth-covered electrical wire on papier-mâché and Masonite, 26 3/8 x 16 1/2 x 4 1/2“. Thomas Hirschhorn, Bataille Monument, 2002. Installation view, Documenta 11, Kassel, Germany. Photo: Thorsten Arendt. Oliver Payne and Nick Relph, Mixtape (detail), 2002, still from a color film in 35 mm, 23 minutes. Gerhard Richter, Wiesenthal (Meadowland), 1985, oil on canvas, 35 5/8 x 37 1/2”. Carroll Dunham, Killer over the Water, 2000–2001, mixed media on linen, 96 x 84“. Philip Taaffe, Red Caliph, 2002, acrylic ink on paper mounted on canvas, 10 1/2 x 6”. Andrea Fraser, Little Frank and His Carp, 2002, still from a color video, 6 minutes. Barnett Newman, Onement I, 1948, oil on canvas, 27 1/4 x 19 1/4“. John Currin, Angela, 2001, oil on canvas, 22 x 16”. Michael Raedecker, Blind Spot (detail), 2000, acrylic and thread on canvas, 46 x 34“. Matthew Barney, CREMASTER 3, 2002, production still from a color video, 189 minutes. Rachel Harrison, What would it be like to be Imelda Marcos, 1996–97, polystyrene, papier-mâché, acrylic, and color photograph, 44 x 21 x 22”. Brice Marden, 6 Red Rock 1, 2000–2002, oil on linen, 107 x 75“.  Mel Bochner, Opaque #4 (detail), 1968, color photograph, 16 x 20”.
    December 2002
    Vol. 41, No. 4
    TABLE OF CONTENTS PURCHASE
  • Cover: Pierre Huyghe and Philippe Parreno, A Smile Without a Cat (Celebration of Annlee’s Vanishing), 2002, fireworks display, Miami Beach, FL. Organized by Sandra Antelo-Suarez and TRANS> at Art Basel Miami Beach. Photo: Angel Art Ltd. Inset: Andrew Hahn, Blood Picture #9 (detail), 2002, watercolor on paper, 12 x 15". From the series “Stalker,” 2002.
    January 2003
    Vol. 41, No. 5
    TABLE OF CONTENTS PURCHASE
  • Cover: Atlas Group/Walid Raad, Already Been in a Lake of Fire (detail), 2001, one of a series of color digital prints, 9 x 6 1/2“. Inset: Martin Kippenberger, Untitled (detail), 1998, oil on canvas, 94 1/2 x 78 3/4”.
    February 2003
    Vol. 41, No. 6
    TABLE OF CONTENTS PURCHASE
  • Cover: Louise Lawler, (bunny) Sculpture and Painting (detail), 1999, color photograph, 47 1/2 x 66“. Jeff Koons's Rabbit, 1986, and Peter Halley's The Acid Test, 1992, in ”The American Century" at the Whitney Museum of American Art, 1999.
    March 2003
    Vol. 41, No. 7
    TABLE OF CONTENTS PURCHASE
  • Martin Kippenberger’s Sympathische Kommunistin (Pleasant communist girl) (detail), 1983, as reflected in a mirror at the Chelsea Hotel, Cologne, ca. 1989.
    April 2003
    Vol. 41, No. 8
    TABLE OF CONTENTS PURCHASE
  • Cover: Philip Guston, Feet on Rug (detail), 1978, oil on canvas, 80 x 104". Inset: Jack Goldstein, The Jump (detail), 1978, still from a color film in 16 mm, 26 seconds.
    May 2003
    Vol. 41, No. 9
    TABLE OF CONTENTS PURCHASE
  • Cover: Ralph Goings, McDonald’s Pick-Up, 1970, oil on canvas, 41 x 41". From “Locus Focus: ‘Hyperrealisms.’” Inset: Cover of 
Walter Pfeiffer: 1970–1980 (detail).
    Summer 2003
    Vol. 41, No. 10
    TABLE OF CONTENTS PURCHASE
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