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Issue Prices

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  • Cover: Handbag vendor, Venice, 2003. Photo: Roman Mensing/artdoc.de. From “Pictures of an Exhibition.” Inset: John Currin, Bea Arthur Naked (detail), 1991, oil on canvas, 38 x 32".
    September 2003
    Vol. 42, No. 1
    TABLE OF CONTENTS PURCHASE
  • Cover: Roe Ethridge, Pigeon (detail), 2001, color photograph, 38 x 30". Inset: Lygia Clark, Respire comigo (Breathe with me), 1966. Demonstration view. From “Feminism & Art.”
    October 2003
    Vol. 42, No. 2
    TABLE OF CONTENTS PURCHASE
  • Cover: Yinka Shonibare, Dorian Gray (detail), 2001, one of twelve photographs, each 48 x 60". From “Global Tendencies.” Inset: Edward Krasinski, Blue Scotch, 1968. Photo: Eustachy Kossakowski.
    November 2003
    Vol. 42, No. 3
    TABLE OF CONTENTS PURCHASE
  • Cover, spiral from top right: Jenny Saville, Reverse, 2002–2003, oil on canvas, 84 x 96“. Doug Aitken, Interiors, 2002. Installation view, Fabric Workshop and Museum, Philadelphia, 2003. Photo: Aaron Igler. Ellsworth Kelly, Blue Green Red I, 1964–65, oil on canvas, 9' x 10' 2”. View of “Francis Picabia,” Musée d’Art Moderne de la Ville de Paris, 2003. Photo: André Morin. Richard Prince, Nurses’ Dormitory (detail), 2002, ink-jet print and acrylic on canvas, 58 x 36“. Lisa Lapinski and Catherine Sullivan, Speech Model, 2003. Installation view, Galerie Mezzanin, Vienna. Rineke Dijkstra, Forte de Casa, May 20, 2000, color photograph, 49 5/8 x 42 1/8”. John Tremblay, Helvetica, 2002, acrylic and paint marker on canvas, 96 x 30“. Paul McCarthy, Piccadilly Circus, 2003, still from a color video. Dario Robleto, I Wanna Rock My Little Honda Across the Universe, 2000–2001, homemade crystals, 50,000-year-old meteorite fragment, ground amino acids, vinyl from the Beatles’ “Across the Universe” record, antique metal-and-glass syringe, rust, spray paint, plaster, and polyester resin, ca. 54 x 18 x 18”. From the series “Popular Hymns Will Sustain Us All (End It All),” 2000–2001. Olafur Eliasson, The Weather Project, 2003. Installation view, Tate Modern, London. Photo: Jens Ziehe. Philip Guston, Untitled (Head), 1980, acrylic and ink on paper, 20 x 30“. Herzog & de Meuron, Laban, 2003, London. Photo: Merlin Hendy and Martyn Rose. Boris Mikhailov, untitled, n.d., color photograph, 7 7/8 x 11 7/8”. From the series “Red,” 1968–75. Chris Ware, frame from Quimby the Mouse (Fantagraphics Books, 2003). Sherrie Levine, Avant-Garde and Kitsch, 2002, cast crystal, 7 x 2 7/8 x 1 3/4“; cast bronze, 7 1/2 x 2 1/2 x 2 3/8”. Takashi Murakami, Shitennoh (Guards), 2003. Installation view, Rockefeller Center, New York. Photo: Tom Powel.
    December 2003
    Vol. 42, No. 4
    TABLE OF CONTENTS PURCHASE
  • Cover: Judith Eisler, Smoker (Cruel Story of Youth) (detail), 2003, oil on canvas, 58 x 70". Inset: Ant Farm, Cadillac Ranch, 1974. Installation view, Amarillo, TX. From Winter Preview.
    January 2004
    Vol. 42, No. 5
    TABLE OF CONTENTS PURCHASE
  • Cover: Simon Starling, Work, Made-Ready, In Light of Nature (detail), 2003, mixed media, dimensions variable. Inset: Bruno Dumont, Twentynine Palms, 2003, still from a color film in 35 mm, 130 minutes. Katia (Katia Golubeva) and David (David Wissak).
    February 2004
    Vol. 42, No. 6
    TABLE OF CONTENTS PURCHASE
  • Cover: Matthew Buckingham, Image of Absalon to Be Projected Until it Vanishes (detail), 2001, slide projection and framed printed text, dimensions variable. Inset: Yana Klichuk during an April 2003 dress rehearsal for Liisa Roberts’s An Excursion in Vyborg June 18–20, 2003. Photo: Juhan Ulfsak.
    March 2004
    Vol. 42, No. 7
    TABLE OF CONTENTS PURCHASE
  • Cover: Ellen Gallagher, POMP-BANG (detail), 2003, paper, ink, plasticine, and resin on canvas, 8' x 16' x 2 1/2". Inset: Joan Jonas, Lines in the Sand, 2002. Performance view, Documenta 11, Kassel, 2002. Photo: Werner Maschmann.
    April 2004
    Vol. 42, No. 8
    TABLE OF CONTENTS PURCHASE
  • Cover: Dave Muller, Self-Portrait at the approach (359 pictures) (detail), 2004, synthetic polymer paint on paper, 84 x 36". From the 2004 Whitney Biennial. Inset: Bas Jan Ader, I’m Too Sad to Tell You, 1971, still from a black-and-white film in 16 mm, 3 minutes 21 seconds. From “The Big Nothing,” Summer Preview.
    May 2004
    Vol. 42, No. 9
    TABLE OF CONTENTS PURCHASE
  • John Waters, Visit Marfa, 2003, six-color inkscreen poster printed on clayboard, 33 x 22".
    Summer 2004
    Vol. 42, No. 10
    TABLE OF CONTENTS PURCHASE
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