• artguide
  • NEWS
  • DIARY
  • SHOWS
    • PREVIEWS
    • CRITICS' PICKS
    • PRINT REVIEWS
  • PRINT
    • TABLE OF CONTENTS
    • ARCHIVE
  • COLUMNS
    • All
    • DIARY
    • INTERVIEWS
    • SLANT
    • FILM
    • PERFORMANCE
    • PASSAGES
    • ARCHITECTURE
    • MUSIC
    • BOOKS
    • TOP TEN
  • VIDEO
  • ADVERTISE
  • CIRCULATION
    • SUBSCRIBE
    • BACK ISSUES
  • NEWSLETTERS
  • SUBSCRIBE
  • BOOKFORUM
  • 艺术论坛
  • art&education
  • LOGIN
  • REGISTER
Artforum Logo

archive

2020s

  • 2022–2023 Vol. 61
  • 2021–2022 Vol. 60
  • 2020–2021 Vol. 59

2010s

  • 2019–2020 Vol. 58
  • 2018–2019 Vol. 57
  • 2017–2018 Vol. 56
  • 2016–2017 Vol. 55
  • 2015–2016 Vol. 54
  • 2014–2015 Vol. 53
  • 2013–2014 Vol. 52
  • 2012–2013 Vol. 51
  • 2011–2012 Vol. 50
  • 2010–2011 Vol. 49

2000s

  • 2009–2010 Vol. 48
  • 2008–2009 Vol. 47
  • 2007–2008 Vol. 46
  • 2006–2007 Vol. 45
  • 2005–2006 Vol. 44
  • 2004–2005 Vol. 43
  • 2003–2004 Vol. 42
  • 2002–2003 Vol. 41
  • 2001–2002 Vol. 40
  • 2000–2001 Vol. 39

1990s

  • 1999–2000 Vol. 38
  • 1998–1999 Vol. 37
  • 1997–1998 Vol. 36
  • 1996–1997 Vol. 35
  • 1995–1996 Vol. 34
  • 1994–1995 Vol. 33
  • 1993–1994 Vol. 32
  • 1992–1993 Vol. 31
  • 1991–1992 Vol. 30
  • 1990–1991 Vol. 29

1980s

  • 1989–1990 Vol. 28
  • 1988–1989 Vol. 27
  • 1987–1988 Vol. 26
  • 1986–1987 Vol. 25
  • 1985–1986 Vol. 24
  • 1984–1985 Vol. 23
  • 1983–1984 Vol. 22
  • 1982–1983 Vol. 21
  • 1981–1982 Vol. 20
  • 1980–1981 Vol. 19

1970s

  • 1979–1980 Vol. 18
  • 1978–1979 Vol. 17
  • 1977–1978 Vol. 16
  • 1976–1977 Vol. 15
  • 1975–1976 Vol. 14
  • 1974–1975 Vol. 13
  • 1973–1974 Vol. 12
  • 1972–1973 Vol. 11
  • 1971–1972 Vol. 10
  • 1970–1971 Vol. 9

1960s

  • 1969–1970 Vol. 8
  • 1968–1969 Vol. 7
  • 1967–1968 Vol. 6
  • 1966–1967 Vol. 5
  • 1965–1966 Vol. 4
  • 1964–1965 Vol. 3
  • 1963–1964 Vol. 2
  • 1962–1963 Vol. 1

Issue Prices

Full access to our online back issue archive comes free with an Artforum subscription.
Register for weekly selections from the archive here.

  • Cover: Tom Sachs, Presidential Seal, 2004, mixed media, 108 x 108“. Inset: Glenn Brown, Anaesthesia, 2001, oil on panel, 41 1/2 x 32 5/8”.
    September 2004
    Vol. 43, No. 1
    TABLE OF CONTENTS PURCHASE
  • Cover: Cady Noland, CRATE OF BEER, 1989, crate, beer cans, and bungee cord, 11 x 13 x 15 3/4".
    October 2004
    Vol. 43, No. 2
    TABLE OF CONTENTS PURCHASE
  • Cover: Wilhelm Sasnal, Anka, Ewa, 2004, oil on canvas, 13 3/4 x 13 3/4". Inset: Harun Farocki, Eye/Machine II, 2002, still from a black-and-white and color video, 15 minutes.
    November 2004
    Vol. 43, No. 3
    TABLE OF CONTENTS PURCHASE
  • Cover, spiral from top right: Alex Bag, Coven Services—Demo Reel, 2004. Installation view, Elizabeth Dee Gallery, New York, 2004. Francis Bacon, Portrait of Michel Leiris, 1976, oil on canvas, 13 3/8 x 11 3/8“. Lee Bontecou, Untitled, 1959–60, welded steel, canvas, wire, and velvet, 58 x 99 x 15”. Louise Lawler, Salon Hodler, 1992–93, color photograph, 49 1/4 x 58 1/2“. Clifford Ross, Mountain I, 2004, color photograph, 5' 11 1/2” x 10' 10“. Ed Ruscha, The End #23, 2002, acrylic and ink on paper, 24 x 30”. Francis Alÿs, VW Beetle, 2004. Performance view, Kunstmuseum Wolfsburg, 2004. Photo: Joachin Ali Altschaffel. Catherine Sullivan, Ice Floes Franz Joseph Land, 2004, still from a black-and-white video, 20 minutes. Guy Bourdin, untitled, ca. 1978, color photograph. © Guy Bourdin Estate, 2004. Richard Prince, Untitled, 1983, color photograph, 27 x 40“. Jonathan Horowitz, Rainbow American Flag for Jasper in the Style of the Artist’s Boyfriend, 2004, enamel, paint, and glitter on linen, 42 x 60”. Lee Lozano, Untitled (Tool), 1964, graphite on paper, 8 1/2 x 10 3/4“. View of “A Minimal Future? Art As Object, 1958–1968,” Museum of Contemporary Art, Los Angeles, 2004. From left: Patricia Johanson, Minor Keith, 1967; Ronald Bladen, Three Elements, 1965. Mark Leckey, Made in ‘eaven, 2004, still from a color film in 16 mm, 20-minute loop. Andy Warhol, Self-Portrait, 1963–64, acrylic and silkscreen ink on canvas, 19 3/4 x 15 7/8”. © 2004 Andy Warhol Foundation for the Visual Arts/ARS, New York. Sturtevant, Lichtenstein Hot Dog, 1965–66, oil and acrylic on canvas, 24 x 41“. Karel Funk, Untitled (Blue Hood) (detail), 2002, acrylic on panel, 16 x 16”. On Kawara, June 10, 2004, acrylic on canvas, 10 x 13". Anri Sala, Mixed Behavior, 2003, still from a color DVD, 8 minutes 17 seconds.
    December 2004
    Vol. 43, No. 4
    TABLE OF CONTENTS PURCHASE
  • Cover: Carol Bove, Twiggy (detail), 2004, ink on paper, 22 x 14“. Inset: Kristin Baker, The Unfair Advantage (detail), 2003, acrylic on PVC, 60 x 108”.
    January 2005
    Vol. 43, No. 5
    TABLE OF CONTENTS PURCHASE
  • View of the Abby Aldrich Rockefeller Sculpture Garden, Museum of Modern Art, New York, 2004. Photo: Todd Eberle. Inset: Dan Flavin, untitled (to Emily), 1973. Installation view. National Gallery of Art, Washington, DC, 2004. Photo: Rob Shelley.
    February 2005
    Vol. 43, No. 6
    TABLE OF CONTENTS PURCHASE
  • Cover: Thomas Scheibitz, Springtime on Stage, 2005, detail of one of seven color photographs, 6 x 8 1/4“ or 8 1/4 x 6” each. Inset: Jacket photo of Susan Sontag from I, Etcetera, 1978. Photo: Thomas Victor.
    March 2005
    Vol. 43, No. 7
    TABLE OF CONTENTS PURCHASE
  • Cover: Kelley Walker, schema; Aquafresh plus Crest with whitener, 2003/2005, four-color commercial offset print from CD-rom, 10 1/2 x 10 1/2". Inset: Jack Goldstein, Some Butterflies, 1975, still from a color film in 16 mm, 30 seconds.
    April 2005
    Vol. 43, No. 8
    TABLE OF CONTENTS PURCHASE
  • Robert Gober, Untitled (detail), 2003–2005, bronze, beeswax, human hair, pigment, sock, and shoe, 24 1/2 x 40 x 34“. Photo: Russell Kaye. Inset: Daniel Buren, Painture aux forms variables (Painting with Variable Forms) (detail), 1966, paint on white-and-orange striped fabric, 87 x 77 3/16.”
    May 2005
    Vol. 43, No. 9
    TABLE OF CONTENTS PURCHASE
  • Cover: Andrea Zittel, A-Z Homestead Unit (detail), 2001, powder-coated steel, birch paneling, paint, polyurethane, and corrugated metal, 10 x 13 x 10". Inset: Jordan Belson, Samadhi (detail), 1966–67, still from a color film in 16 mm, 6 minutes.
    Summer 2005
    Vol. 43, No. 10
    TABLE OF CONTENTS PURCHASE
<< NEXT VOLUME PREVIOUS VOLUME >>
  • artguide
  • ADVERTISE
  • SUBSCRIBE
  • NEWSLETTER
  • BACK ISSUES
  • CART
  • PRIVACY POLICY
  • CONTACT
  • instagram twitter YouTube facebook

All rights reserved. Artforum is a registered trademark of Artforum Media, LLC, New York, NY. Terms & Conditions. Your Privacy Choices