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  • Cover: Ed Ruscha, The Old Tool & Die Building (detail), 2004, acrylic on canvas, 52 x 116". Inset: Pipilotti Rist, Related Legs (detail), 2001, two-channel video projection on transparent curtains.
    September 2005
    Vol. 44, No. 1
    TABLE OF CONTENTS PURCHASE
  • Cover: Michael Krebber, Because of the Architect, the Building Fell Down (detail), 2000, paint on Masonite, 48 x 96 1/2“. Inset: Roni Horn, Portrait of an Image—Erika, Lena, Claire, Charlotte, Dominique, Jean, Mika, Isabelle, Marie, Emma, Beatrice, and Others (with Isabelle Huppert) (detail), 2005, 1 of 110 color photographs, 15 x 12 1/2” each.
    October 2005
    Vol. 44, No. 2
    TABLE OF CONTENTS PURCHASE
  • Cover: Isa Genzken, Geschwister (Brothers and Sisters) (detail), 2004, plastic, laquer, mirror foil, glass, metal, wood, and fabric, 86 3/5 x 23 3/5 x 39 3/8“.  Inset: Elizabeth Murray, Do the Dance (detail), 2005, oil on canvas, 9' 5” x 11' 3".
    November 2005
    Vol. 44, No. 3
    TABLE OF CONTENTS PURCHASE
  • Cover: Row 1, from left: T. J. Wilcox, Garland #4, 2005, still from a color film in 16 mm, 8 minutes 33 seconds. Jean-Michel Basquiat, Famous Negro Athletes #4, 1981, crayon on paper, 24 x 18“. From “East Village USA.” Isa Genzken, Tatoo, 2004, photograph on foil, mirror foil, adhesive tape, lacquer, and aluminum, 47 1/4 x 31 1/2”. View of “Rirkrit Tiravanija: A Retrospective (Tomorrow Is Another Fine Day),” 2004–2005, Museum Boijmans Van Beuningen, Rotterdam, 2004. Paul Chan, 1st Light [sic], 2005–, still from a color video, 14 minutes. From the series “Lights Cycle,” 2005–. View of “The Eye of the Storm: Works in situ by Daniel Buren,” Solomon R. Guggenheim Museum, New York, 2005. Jeroen de Rijke and Willem de Rooij, Mandarin Ducks, 2005, still from a color film in 16 mm, 36 minutes. View of the Walker Art Center, Minneapolis, MN, 2004. Row 2, from left: Satellite view of Hurricane Katrina, August 29, 2005. Jörg Immendorff, Letztes Selbstportrait I—das Bild ruft (Last Self-portrait), 1998, oil on canvas, 12' 10 3/4“ x 9' 10 1/8”. Paul McCarthy, “LaLa Land Parody Paradise,” 2005. Performance view, Haus der Kunst, Munich. Robert Bechtle, Alameda Gran Torino, 1974, oil on canvas, 48 x 69“. Karen Kilimnik, me - stole Martha - Paul’s dog - Primrose hill, Regent’s Park, London, 1965, 2004, oil on canvas, 24 x 20”. Henri Matisse, Pansies, 1903, oil on paper mounted on panel, 19 1/4 x 17 3/4“. © 2005 Succession H. Matisse, Paris/ Artists Rights Society (ARS), New York. Damien Hirst, Football Violence, Man with Cut Face, 2004–2005, oil on canvas, 36 x 36”. Christoph Büchel, Hole, 2005. Installation view, Kunsthalle Basel, 2005. Photo: Christoph Büchel. Row 3, from left: Marc Quinn, Alison Lapper Pregnant, 2005, marble, 11' 7 3/4“ x 5' 11 1/16” x 8' 6 3/8“. Rita Ackermann, Untitled (King Ubu series IV), 1996, collage on paper, 18 x 24”. Robert Gober, Untitled (detail) 2004–2005, bronze, cement, re-creation of American robin, and water, 112 1/4 x 39 1/2 x 41“. Martin Kippenberger, Untitled, 1992, oil on canvas, 70 13/16 x 59”. Paulina Olowska, Alphabet, 2005. Performance view, Galerie Meerrettich, Berlin, 2005. Barry Le Va, Shots from the End of a Glass Line, 1969–70/2005, glass, metal pipe, and bullets. Installation view, Institute of Contemporary Art, Philadelphia, 2005. Photo: Aaron Igler. Robert Smithson, Mirror with Crushed Shells (Sanibel Island), 1969, three mirrors, sand, and shells from Sanibel Island, Florida, each mirror 36 x 36“. © Estate of Robert Smithson/ Licensed by VAGA, New York, NY. Hatice Güleryüz, Strange Intimacies, 2005, still from a color video, 18 minutes. From the Istanbul Biennial. Row 4, from left: Artur Zmijewski, Repetition, 2005, still from a color digital video, 39 minutes. Albert Oehlen, Peon, 1996, oil on canvas, 75 1/2 x 75 1/2”. Jeff Wall, Milk, 1984, color transparency on light box, 72 9/16 x 89 3/16“. Seth Price, 24-7 What Should I Wear Today, 2005, high-impact polystyrene, 51 x 36”. Richard Tuttle, House, 1965, acrylic on plywood, 26 3/4 x 33 1/4 x 1 3/8“. Gilbert & George, Cited Gents, 2005, mixed media, 9'3 13/16” x 11'1 1/2“. Trisha Donnelly, Untitled, 2005, pencil on colored paper, 26 x 20”. Gelitin, Rabbit, 2005–. Installation view, Artesina, Italy. Row 5, from left: Cass Bird, I Look Like My Daddy, 2004, color photograph. From “Log Cabin.” Edouard Manet, Le Bal masqué à l’Opéra (Masked Ball at the Opera), 1873, oil on canvas, 38 3/8 x 28 3/4“. From “Faces in the Crowd.” Sea Anemone, Die Produzentin and Michael Höpfel, from “Michael Krebber,” Wiener Secession, 2005. Stan Douglas, Inconsolable Memories, 2005, still from two synchronized, asymmetrical film-loop projections; black-and-white film in 16 mm, 15 permutations with a common period of 5 minutes 39 seconds. Francis Alÿs, Guards, 2004, still from a color video, 30 minutes. Lucas Samaras, Park 1, 2005, color photograph, dimensions variable. Takashi Murakami, Time Bokan—Black, 2001, acrylic on canvas mounted on wood, 70 7/8 x 70 7/8”. © Takashi Murakami/Kaikai Kiki Co., Ltd.
    December 2005
    Vol. 44, No. 4
    TABLE OF CONTENTS PURCHASE
  • Cover: Rosemarie Trockel, Living Means Not Good Enough, 2002, color photograph, books, and magazine, 53 x 22 1/2 x 8".
    January 2006
    Vol. 44, No. 5
    TABLE OF CONTENTS PURCHASE
  • Michel Majerus, what looks good today may not look good tomorrow (detail), 1999, acrylic on canvas, 10' x 11' 10 1/2".
    February 2006
    Vol. 44, No. 6
    TABLE OF CONTENTS PURCHASE
  • Mark di Suvero and Rirkrit Tiravanija's Peace Tower under construction, Long Island City, New York, February 3, 2006. Photo: Emily Liebling
    March 2006
    Vol. 44, No. 7
    TABLE OF CONTENTS PURCHASE
  • Each copy of this month's Artforum features one of two cover images: Christopher Williams, Kodak Three Point Reflection Guide, © 1968 Eastman Kodak Company, 1968. (Meiko smiling), Vancouver, B.C., April 6, 2005 (detail), color photograph, 20 x 24“ and Christopher Williams, Kodak Three Point Reflection Guide, © 1968 Eastman Kodak Company, 1968. (Meiko laughing), Vancouver, B.C., April 6, 2005 (detail), color photograph, 20 x 24”.
    April 2006
    Vol. 44, No. 8
    TABLE OF CONTENTS PURCHASE
  • Cover: Glenn Ligon, Warm Broad Glow, 2005, neon and paint. Installation view, Contemporary Arts Museum Houston, 2006. Photo: Rick Gardner.
    May 2006
    Vol. 44, No. 9
    TABLE OF CONTENTS PURCHASE
  • Paul Chan, My birds . . . trash . . . the future, 2004, still from a digital animation, 16 minutes 37 seconds.
    Summer 2006
    Vol. 44, No. 10
    TABLE OF CONTENTS PURCHASE
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