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  • Cover: Jeff Koons, Saint John the Baptist, 1988, porcelain, 56 1/2 × 30 × 24 1/2". From the series “Banality,” 1988.
    September 2014
    Vol. 53, No. 1
    TABLE OF CONTENTS PURCHASE
  • Cover: Cameron Jamie, BB, 1998–2000, Super 8 transferred to 35 mm, black-and-white, sound, 18 minutes 20 seconds.
    October 2014
    Vol. 53, No. 2
    TABLE OF CONTENTS PURCHASE
  • Cover: Guthrie Lonergan, Lonely Los Angeles (detail), 2005, website screen capture.
    November 2014
    Vol. 53, No. 3
    TABLE OF CONTENTS PURCHASE
  • Cover. Left to right, top to bottom: Robert Gober, Untitled (detail), 2003–2005, plaster, fir, wool, linen, photolithograph on paper, oil paint, enamel paint, watercolor, pastel, graphite, bronze, cast plastic, polyethylene, lead crystal, fiberglass, nickel-plated bronze, wood, water, recycling pumps, stoneware, urethane, rubber, cement, feather re-creation of American robin, blown glass, Flashe paint, aluminum, pewter, beeswax, human hair, pigment, socks, shoes, dimensions variable. Christopher Williams, Bouquet for Bas Jan Ader and Christopher D’Arcangelo (detail), 1991, archival corrugated board, archival photo corners, compound, four-ply Conservamat, eight-ply Conservamat, drywall, dye transfer print, glass, lacquer-based finish, linen tape, nails, Northern maple, plastic setback strips, primer, screws, seaming tape, paint, and wood, 10' × 15' × 6 3/4“. Lygia Clark, Relógio de sol (Sundial), 1960, aluminum with gold patina, approx. 20 7/8 × 23 × 18 1/8”. Kerry James Marshall, Black (detail), 2012, acrylic on canvas, 8' × 17' 10“. From the series “Who’s Afraid of Red, Black and Green,” 2011–12. Mark Leckey, Felix the Cat, 2013, fabric, fan. Installation view, Wiels Contemporary Art Centre, Brussels, 2014. Lucio Fontana, Concetto spaziale (Spatial Concept) (detail), 1962, oil on canvas, 31 7/8 × 25 1/2”. © Artists Rights Society (ARS), New York/SIAE, Rome. Trisha Donnelly, Untitled, 2014, digital video, color, silent, 4 minutes. Jutta Koether, Luise (detail), 2013, polyethylene, clear resin, 37 3/8 × 37 3/8 × 33 7/8“. Julian Schnabel, Untitled (detail), 1990, resin and gesso on burlap, 120 × 108”. © Julian Schnabel/Artists Rights Society (ARS), New York. Garry Winogrand, Los Angeles, California (detail), 1969, gelatin silver print, 16 × 20“. Jana Euler, Untitled (detail), 2013, oil on canvas, 55 1/8 × 78 3/4”. Anicka Yi, It Only Takes 20 Minutes to Shift the Blame, 2013, chromed sphere, glycerin soap, resin, nylon string, acrylic paint, vinyl tubing, steel, brass, acrylic rod, limestone, 15 3/4 × 16 1/2 × 9 3/8“. Pierre Huyghe, L’Expédition scintillante, Acte 2 (The Sparkling Expedition, Act 2), 2002, wood, steel, lighting system, smoke system, electronics, sound. Installation view, Centre Pompidou, Paris, 2014. © Pierre Huyghe/Artists Rights Society (ARS), New York/ADAGP, Paris. Hannah Höch, Untitled (detail), 1929, photomontage and collage, 19 1/4 × 12 3/4”. From the series “Aus einem ethnographischen Museum” (From an Ethnographic Museum), 1924–30. © Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn. Collier Schorr, Boots, Chair, Hair (detail), 1998–2014, gelatin silver print, 60 × 45 3/4".
    December 2014
    Vol. 53, No. 4
    TABLE OF CONTENTS PURCHASE
  • Cover: On Kawara, MAY 8, 1967, 1967, acrylic on canvas, 10 x 13". From the series “Today,” 1966–2013.
    January 2015
    Vol. 53, No. 5
    TABLE OF CONTENTS PURCHASE
  • Cover: William Pope.L, Foraging (Asphyxia Version) (detail), 1993–95/2008, digital C-print, 19 1/8 × 18 1/2". From the series “Black Domestic Project,” 1993–95.
    February 2015
    Vol. 53, No. 6
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  • Cover: Petri dish containing bacteria cultures from a work in progress by Anicka Yi, 2015. Photo: Joerg Lohse.
    March 2015
    Vol. 53, No. 7
    TABLE OF CONTENTS PURCHASE
  • Cover: Mishka Henner, Wrangler Feedyard, Tulia, Texas (detail), 2013, ink-jet print, 59 × 73 1/4". From the series “Feedlots,” 2012–13.
    April 2015
    Vol. 53, No. 8
    TABLE OF CONTENTS PURCHASE
  • Cover: Hito Steyerl, How Not to Be Seen: A Fucking Didactic Educational .MOV File, 2013, HD video projection (color, sound, 14 minutes), architectural environment, dimensions variable.
    May 2015
    Vol. 53, No. 9
    TABLE OF CONTENTS PURCHASE
  • Cover: Joan Jonas, Organic Honey’s Visual Telepathy, 1972, video, black-and-white, sound, 17 minutes 24 seconds. Photo: Electronic Arts Intermix (EAI), New York.
    Summer 2015
    Vol. 53, No. 10
    TABLE OF CONTENTS PURCHASE
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