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Cover: Kerstin Brätsch, Unholdenfrau (zweite Dame) 2015, luster and enamel on antique glass, rolled glass shards, church-window bordering, heraldic escutcheon, agate slices, lead, 37 1/2 × 24 1/4". From the series “All Ready Maid Betwixt and Between,” 2012–16.

September 2017 Vol. 56, No. 1

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In this issue

Amy Taubin on Jane Campion’s Top of the Lake: China Girl

RED, BLACK, AND BLUE: THE NATIONAL MUSEUM OF AFRICAN AMERICAN HISTORY AND CULTURE AND THE NATIONAL MUSEUM OF THE AMERICAN INDIAN

THE VENICE BIENNALE, DOCUMENTA, AND SKULPTUR PROJEKTE MÜNSTER

Benjamin H. D. Buchloh on some means and ends of sculpture at Venice, Münster, and Documenta

View the entire table of contents here.

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