• artguide
  • NEWS
  • DIARY
  • SHOWS
    • PREVIEWS
    • CRITICS' PICKS
    • MUST SEE
    • PRINT REVIEWS
  • PRINT
    • TABLE OF CONTENTS
    • ARCHIVE
  • COLUMNS
    • All
    • DIARY
    • INTERVIEWS
    • SLANT
    • FILM
    • PERFORMANCE
    • PASSAGES
    • ARCHITECTURE
    • MUSIC
    • BOOKS
    • TOP TEN
  • VIDEO
  • ADVERTISE
  • CIRCULATION
    • SUBSCRIBE
    • BACK ISSUES
  • NEWSLETTERS
    • PRINT
    • DISPATCH
  • SUBSCRIBE
  • BOOKFORUM
  • 艺术论坛
  • art&education
  • LOGIN
  • REGISTER
Artforum Logo

archive

2020s

  • 2020–2021 Vol. 59

2010s

  • 2019–2020 Vol. 58
  • 2018–2019 Vol. 57
  • 2017–2018 Vol. 56
  • 2016–2017 Vol. 55
  • 2015–2016 Vol. 54
  • 2014–2015 Vol. 53
  • 2013–2014 Vol. 52
  • 2012–2013 Vol. 51
  • 2011–2012 Vol. 50
  • 2010–2011 Vol. 49

2000s

  • 2009–2010 Vol. 48
  • 2008–2009 Vol. 47
  • 2007–2008 Vol. 46
  • 2006–2007 Vol. 45
  • 2005–2006 Vol. 44
  • 2004–2005 Vol. 43
  • 2003–2004 Vol. 42
  • 2002–2003 Vol. 41
  • 2001–2002 Vol. 40
  • 2000–2001 Vol. 39

1990s

  • 1999–2000 Vol. 38
  • 1998–1999 Vol. 37
  • 1997–1998 Vol. 36
  • 1996–1997 Vol. 35
  • 1995–1996 Vol. 34
  • 1994–1995 Vol. 33
  • 1993–1994 Vol. 32
  • 1992–1993 Vol. 31
  • 1991–1992 Vol. 30
  • 1990–1991 Vol. 29

1980s

  • 1989–1990 Vol. 28
  • 1988–1989 Vol. 27
  • 1987–1988 Vol. 26
  • 1986–1987 Vol. 25
  • 1985–1986 Vol. 24
  • 1984–1985 Vol. 23
  • 1983–1984 Vol. 22
  • 1982–1983 Vol. 21
  • 1981–1982 Vol. 20
  • 1980–1981 Vol. 19

1970s

  • 1979–1980 Vol. 18
  • 1978–1979 Vol. 17
  • 1977–1978 Vol. 16
  • 1976–1977 Vol. 15
  • 1975–1976 Vol. 14
  • 1974–1975 Vol. 13
  • 1973–1974 Vol. 12
  • 1972–1973 Vol. 11
  • 1971–1972 Vol. 10
  • 1970–1971 Vol. 9

1960s

  • 1969–1970 Vol. 8
  • 1968–1969 Vol. 7
  • 1967–1968 Vol. 6
  • 1966–1967 Vol. 5
  • 1965–1966 Vol. 4
  • 1964–1965 Vol. 3
  • 1963–1964 Vol. 2
  • 1962–1963 Vol. 1

Issue Prices

Full access to our online back issue archive comes free with an Artforum subscription.

2009–2010

  • Cover: Sherrie Levine, “After Walker Evans Negative, 1981–1990,” 2009, one of eight pages from a special portfolio for Artforum. Courtesy Sherrie Levine and Walker Evans Estate, The Metropolitan Museum of Art, Department of Photography.
    September 2009
    Vol. 48, No. 1
    TABLE OF CONTENTS PURCHASE
  • Cover: Dan Graham, Figurative (detail), 1965, printed matter, magazine layout published in Harper’s Bazaar (March 1968) and Scheme for Magazine Page ‘Advertisement,’ two parts, 24 x 24 1⁄2“ and 22 x 15”.
    October 2009
    Vol. 48, No. 2
    TABLE OF CONTENTS PURCHASE
  • Cover: Urs Fischer, Zero Year Curse, Tavernier Blue, Hope Diamond, The Heart of the Ocean, May Yohe & Putnam Strong (detail), 2006, one of four color photographs, each 31 1/8 x 24 3/8".
    November 2009
    Vol. 48, No. 3
    TABLE OF CONTENTS PURCHASE
  • Cover: 1. Günther Uecker seated in his Zero Garden, Howard Wise Gallery, New York, 1966. Photo: G. Dauphin. From “Zero,” 2009, Sperone Westwater, New York. 2. Dorothy Iannone, I Begin to Feel Free (detail), 1970, acrylic and collage on canvas, 74 3/4 x 59“. 3. Isa Genzken, Straß­enfest (Street Party) (detail), 2008–2009, mixed media, dimensions variable. 4. View of “Dan Graham: Beyond,” 2009, The Whitney Museum of American Art, New York. Photo: Kate Lacey. 5. Marcel Duchamp, Étant donnés: 1° la chute d’eau, 2° le gaz d’éclairage . . . (Given: 1. the Waterfall, 2. The Illuminating Gas . . .) (detail), 1946–66,  mixed media, 95 1⁄2 x 70 x 49”. © 2009 estate of Marcel Duchamp /Artists Rights Society (ARS), New York/ADAGP, Paris. 6. Charles Ray, Boy with Frog (detail), 2009, stainless steel and acrylic polyurethane,97 1⁄4 x 35 3⁄4 x 38“. 7. Claes Oldenburg, The Garden, 1968-70/2009 (detail), buried and unearthed objects, printed text on paper. Installation view, Walker Art Center, Minneapolis, 2009. From “The Quick and the Dead.” 8. Sanja Iveković, Paper Woman (detail), 1976–77, mixed media on paper. From the 11th International Istanbul Biennial. 9. Sion Sono, Love Exposure (detail), 2008, still from a color video transferred to 35-mm film, 237 minutes. 10. Allan D’arcangelo, Madonna and Child (detail), 1963, acrylic on canvas, 68 5/8 x 60 3/8”. 11. Allora & Calzadilla, Stop, Repair, Prepare: Variations on “Ode to Joy” for a Prepared Piano, 2008. Performance view, Gladstone Gallery, New York, January 23, 2009. Photo: David Regen. 12. David Goldblatt, Man with an injured arm. Hillbrow, Johannesburg. June 1972 (detail), black-and-white photograph, 19 7/8 x 19 7/8“. 13. Maria Lassnig, Spell (detail), 2006, oil on canvas, 49 1⁄4 x 39 3/8”. 14. View of Nick Cave, “Recent Soundsuits,” 2009, Jack Shainman Gallery, New York.  15. Michael Smith, Go for It, Mike (detail), 1984, still from a color video, 4 minutes. From “The Pictures Generation, 1974–1984,” 2009, Metropolitan Museum of Art, New York. 16. John Baldessari, Pure Beauty (detail), 1966-68, acrylic on canvas, 45 3/8 x 45 3/8“. 17. Lucinda Childs, Dance, 1979. Performance view, Richard B. Fisher Center for the Performing Arts at Bard College, Annandale-on-Hudson, New York, July 8, 2009. Photo: Stephanie Berger. 18. Ger van elk, Paul Klee—Um den Fisch, 1926 (Paul Klee—Around Fish, 1926) (detail), 1970, eight color slides projected on wooden table with cloth, 27 1⁄2 x 26 3⁄4 x 21 5/8”. From “In & Out of Amsterdam: Travels in Conceptual Art, 1960–1976,” Museum of Modern Art, New York, 2009. 19. Lara Favaretto, Momentary Monu­ment, 2009, jute sacks, sand. Installation view, Trento, Italy. 20. Piero Manzoni, Corpo d’aria (Body of Air) (detail), 1959–60, wooden box, rubber balloon, mouthpiece, base, 4 7/8 x 16 3⁄4 x 1 7/8“. 21. Martin Kippenberger, Untitled (detail), 1988, oil on canvas, 94 1⁄2 x 78 3⁄4”. 22. Keren Cytter, Untitled (detail), 2009, still from a color video, 10 minutes. 23. James Castle, untitled (Morton Salt girl) (detail), n.d., blue wash, stick-applied lines on wax-coated cardboard from frozen-pie carton, 7 1⁄2 x 5 5/8“. 24. Mark Leckey, Mark Leckey in the Long Tail, 2008. Performance view, Institute of Contemporary Arts, London, January 31, 2009. Photo: Mark Blower. 25. Ed Ruscha, The Back of Hollywood (detail), 1977, oil on canvas, 22 x 80”.  26. View of Philip-Lorca diCorcia, “Thousand,” 2009, David Zwirner Gallery, New York. 27. Troy Brauntuch, Mickey (detail), 1985, framed color photograph, 23 1⁄2 x 31“.  28. Cindy Sherman, Untitled (detail), 2008, color photo­graph, 61 5/8 x 60”. 29. Book launch for Shannon Ebner’s The Sun as Error, White Columns, New York, March 6, 2009. 30. Throbbing Gristle (pictured: Genesis P-Orridge) at Le Poussin Rouge, New York, April 17, 2009. Photo: Christopher Baker. 31. Rodney Graham, Main Street Tree (detail), 2006, color photograph, 90 x 73".
    December 2009
    Vol. 48, No. 4
    TABLE OF CONTENTS PURCHASE
  • Cover: John Miller, The Office Party and the Communist Party, 1991, acrylic, modeling paste, plastic, aluminum, Styrofoam, plaster, papier-mâché, mixed-media on masonite panel, 47 1⁄4 x 39 1⁄4 x 11 3⁄4".
    January 2010
    Vol. 48, No. 5
    TABLE OF CONTENTS PURCHASE
  • Cover: Photograph from Danh Vo’s artist book Hic Sunt Leones (in collaboration with Julie Ault; Kunsthalle Basel, 2009).
    February 2010
    Vol. 48, No. 6
    TABLE OF CONTENTS PURCHASE
  • Cover: Keren Cytter, Four Seasons, 2009, stills from a color video, 12 minutes.
    March 2010
    Vol. 48, No. 7
    TABLE OF CONTENTS PURCHASE
  • Cover: Shannon Ebner, Erratum cum Laude (detail), 2009, black-and-white photograph printed on chromogenic paper, 24 x 19”.
    April 2010
    Vol. 48, No. 8
    TABLE OF CONTENTS PURCHASE
  • Cover: Monika Sosnowska, Loop, 2007, drywall, MDF, metal, paint. Installation view, Kunstmuseum Liechtenstein, Vaduz.
    May 2010
    Vol. 48, No. 9
    TABLE OF CONTENTS PURCHASE
  • Cover: Czar Nicholas II’s office after Bolsheviks storm the Winter Palace, Saint Petersburg, Russia, November 1917. Photo: Karl Kubesh.
    Summer 2010
    Vol. 48, No. 10
    TABLE OF CONTENTS PURCHASE

2008–2009

  • Cover: Portrait of Michael Clark, London, ca. 1983. Photo: Richard Haughton.
    September 2008
    Vol. 47, No. 1
    TABLE OF CONTENTS PURCHASE
  • Cover: Franz West, thirty-five Uncle Chairs, 2006, metal, textile bands, each 34 3/8 x 18 1/8 x 17 5/8".
    October 2008
    Vol. 47, No. 2
    TABLE OF CONTENTS PURCHASE
  • Cover: R. Buckminster Fuller, Geauga County, Ohio, 1959. Photo: Elliott Erwitt/Magnum.
    November 2008
    Vol. 47, No. 3
    TABLE OF CONTENTS PURCHASE
  • Cover: 1. Christopher Wool, Untitled (D438), 2008, silk-screen ink on paper, 72 x 551⁄4“. 2. Duncan Campbell, Bernadette, 2008, still from a black-and-white video, 37 minutes. 3. Oscar Bony, La familia obrera, 1968/1999, black-and-white photograph, 783⁄4 x 707⁄8”. 4. Ziad Antar, La Marche Turque (Turkish March), 2007, still from a black-and-white video, 3 minutes. 5. Michael Asher, no title, 2008. Installation view, Santa Monica Museum of Art, CA. Photo: Grant Mudford. 6. Klara Liden, Elda för kråkorna (Heating the Crows) (detail), 2008, mixed media. Installation view, Reena Spaulings Fine Art, New York. 7. Masaki Kobayashi, The Human Condition Part One: No Greater Love, 1959, still from a black-and-white film in 35 mm, 208 minutes. Kaji (Tatsuya Nakadai) and Michiko (Michiyo Aratama). 8. Louise Lawler, Spoils (the lightest, sweetest, and most profitable) Joshua Holland, “Bush’s Petro-Cartel Almost Has Iraq’s Oil,” Alternet, www.alternet.org/story/43045, 2004/2008, Fujiflex mounted on museum box, 47 1⁄2 x 59“. 9. William Wegman, Selections from Spit Sandwich, 1970–73, still from a black-and-white video, 18 minutes. From “California Video,” 2008, Getty Center, Los Angeles. 10. Interior of The Box, Los Angeles, 2008. 11. OHO group, Mt. Triglav, 1968. Performance view, Zvezda Park, Ljubljana, Slovenia, December 30, 1968. From left: David Nez, Milenko Matanovic, and Drago Dellabernardina. From “As Soon As I Open My Eyes,” 2008, Museum of Modern Art, Warsaw. 12. Michael Clark, I Do, 2007. Performance view, Rose Theater at Lincoln Center for the Performing Arts, New York, June 5, 2008. Photo: Stephanie Berger. 13. Gustave Courbet, The Trout, 1872, oil on canvas, 205⁄8 x 341⁄4”. 14. Seth Price, Untitled, 2008, two parts, enamel on Dibond, overall, 68 x 42“. 15. Monika Sosnowska, Rubble, 2006/2008, wood, emulsion paint. Installation view, Schaulager, Basel, 2008. Photo: Tom Bisig. 16. Urs Fischer, You, 2008, mixed media. Installation view, Gavin Brown’s Enterprise, New York. 17. Guyton\Walker, untitled (detail), 2008, mixed media. Installation view, LAXART, Los Angeles. Photo: Joshua White. 18. Paul Sietsema, Figure 3, 2008, still from a black-and-white film in 16 mm, 16 minutes. 19. Damien Hirst, Memories of/Moments With You (detail), 2008, diptych, gold-plated steel, glass, manufactured diamonds, each 355⁄6 x 54 x 4”. 20. Jeff Koons, New Hoover Convertibles Green, Green, Red, New Hoover Deluxe Shampoo Polishers, New Shelton Wet/Dry 5-Gallon, Displaced Tripledecker, 1981–87, three Hoover vacuum cleaners, four Hoover Deluxe Shampoo Polishers, Shelton Wet/Dry 5-Gallon, Plexiglas, fluorescent lights. Installation view, Château de Versailles, France, 2008. Photo: Laurent Lecat/Éditions Xavier Barral. 21. Steve McQueen, Hunger, 2008, still from a color film in 35 mm, 96 minutes. Bobby Sands (Michael Fassbender). 22. View of “John Armleder and Olivier Mosset,” 2008, Contemporary Art Museum St. Louis. 23. Jim Lambie, Forever Changes (detail), 2008, vinyl tape, chairs, gloss paint, acrylic paint, concrete, leather jackets, fabric, handbags, mirror, handbag straps, sneakers, spray cans, gold leaf, wooden doors, metal gate. Installation view, Gallery of Modern Art, Glasgow. 24. Dan Walsh Antique Black, 2008, acrylic on canvas, 70 x 70“. 25. Andy Warhol, Self-Portrait (Fright Wig) (detail), 1986, color polaroid photograph 41⁄4 x 45⁄8”. © The Andy Warhol Foundation for the Visual Arts. 26. Fireworks at Ai Weiwei’s Chinese New Year’s party, Beijing, 2008. Photo: Ai Weiwei. 27. Jérôme Bel, Shirtology, 1997. Performance view, Centro Cultural de Belém, Lisbon, February 22, 2007. Frédéric Seguette. Photo: Herman Sorgeloos. 28. Yves Saint Laurent, “Raspail” canvas tote bag, 2008, leather, thread, paint on canvas, 14 x 15 x 6“. 29. Mark Rothko, Untitled, Mural for End Wall, 1959, mixed media on canvas, 1041⁄2 x 1131⁄2”. 30. Sun Yuan and Peng Yu, Old Person’s Home (detail), 2007, thirteen statues of elderly people, thirteen electric chairs, dimensions variable. 31. Mark Flores, Mr. Monotony (detail), 2008, triptych, colored pencil on paper, each 155⁄8 x 19“. 32. Derek Jarman, The Last of England, 1987, still from a color film in Super 8 mm, 87 minutes. Tilda Swinton. From Isaac Julien’s Derek, 2008. 33. Merce Cunningham, XOVER, 2007. Performance view, Barbican Centre, London, October 4, 2008. Daniel Madoff and Julie Cunningham. Costumes and decor: Robert Rauschenberg. Photo: Kawakahi Amina. 34. View of “Andy Warhol: Other Voices, Other Rooms,” 2008, The Hayward, London. Photo: Marcus Leith. 35. Amelia Toledo, Glu-Glu (detail), 1968, blown glass, water, foaming agent, 113⁄4 x 7”. 36. Bridget Riley, Tabriz, 1984, acrylic on linen, 857⁄16 x 711⁄4“. 37. Philippe Parreno, Fraught Times: For Eleven Months of the Year It’s an Artwork and in December It’s Christmas (October), 2008, cast aluminum, paint, musical score, 1071⁄12 x 7213⁄16 x 7213⁄16”. 38. Sejima + Nishizawa/SANAA, New Museum, 2007, New York. 39. Sarah Morris, Beijing, 2008, still from a color film in 35 mm. © Parallax. 40. Monika Baer, Untitled, 2008, watercolor, acrylic, oil, thread on canvas, 401⁄4 x 32“. 41. View of “Trisha Donnelly,” 2008, Institute of Contemporary Art, Philadelphia. From left: Study for Danang, 2005; Untitled, 1998–99, and The Slowness, 2004. 42. Runa Islam, Empty the pond to get the fish, 2008, still from a color film in 35 mm, 12 minutes 8 seconds. 43. Babette Mangolte, (Now) or Maintenant Entre Parentheses, 1976, still from a color film in 16 mm transferred to video, 10 minutes. 44. Dancers during the opening ceremony of the 2008 Olympic Games, Beijing, August 8, 2008. Photo: Thomas Kienzle/Associated Press. 45. Lisandro Alonso, Liverpool, 2008, still from a color film in 35 mm, 84 minutes. Farrel (Juan Fernández). 46. Illustration from Solution 9: The Great Pyramid, ed. Ingo Niermann and Jens Thiel (Sternberg Press, 2008). 47. Cildo Meireles, Through, 1983–89/2008, cellophane, aquarium, chicken wire, fishing net, voile, glass, iron, 19' 81⁄4” x 49' 21⁄2“ x 49' 21⁄2”. 48. Gus Van Sant, Milk, 2008, still from a color film in 35 mm, 128 minutes. 49. Barack Obama during the Democratic National Convention, Invesco Field, Denver, August 28, 2008. Photo: Justin Sullivan/Getty Images. 50. Frank Gehry, Serpentine Gallery Pavilion, 2008, London. 51. Andrea Fraser, Projection, 2008, two-channel color video. Installation view, Galerie Christian Nagel, Berlin. 52. Peter Doig, Bomb Island, 1991, oil on canvas, 783⁄4 x 1181⁄8". 53. View of Jorge Pardo’s reinstallation of Latin American art galleries at the Los Angeles County Museum of Art, 2008. 54. Wolfgang Tillmans, Peas, 2003, still from color video, 2 minutes 42 seconds.
    December 2008
    Vol. 47, No. 4
    TABLE OF CONTENTS PURCHASE
  • Cover: Jimmie Durham, Encore Tranquillité, 2008, rock, metal, plane, approx. 9' x 26' x 26'.
    January 2009
    Vol. 47, No. 5
    TABLE OF CONTENTS PURCHASE
  • Cover: Martin Kippenberger, Wenn Sie mit der Freiheit nicht klarkommen, versuchen Sie es doch mal mit Frauen, Teit I (If You Can't Handle Freedom, Try Seeing How Far You Can Get With Women, Part I) (detail), 1984, one of ten color photographs, each 19 7/8 x 13". © Estate of Martin Kippenberger/Galerie Gisela Capitain, Cologne.
    February 2009
    Vol. 47, No. 6
    TABLE OF CONTENTS PURCHASE
  • Each copy of this month’s Artforum features one of two cover images. Dara Birnbaum, Technology Transformation: Wonder Woman, 1978–79, still from a color video, 5 minutes 50 seconds. Cory Arcangel, Super Mario Clouds v2k3, 2002, modified Nintendo game system and cartridge, dimensions variable.
    March 2009
    Vol. 47, No. 7
    TABLE OF CONTENTS PURCHASE
  • Cover: Barkley L. Hendricks, Steve (detail), 1976, oil, acrylic, magna on linen canvas, 72 x 48".
    April 2009
    Vol. 47, No. 8
    TABLE OF CONTENTS PURCHASE
  • Cover: Larry Johnson, Untitled (Heh, Heh) (detail), 1987, color photograph, 20 1⁄2 x 20 1⁄2".
    May 2009
    Vol. 47, No. 9
    TABLE OF CONTENTS PURCHASE
  • Cover: Seth Price, Stencil, 2008, enamel on Dibond, two parts, overall 70 x 41".
    Summer 2009
    Vol. 47, No. 10
    TABLE OF CONTENTS PURCHASE

2007–2008

  • Cover: Bruce Nauman, Square Depression, 1977/2007, white concrete, 82 x 82'. Installation view, Center for Natural Sciences, Münster, Germany. Photo: Thorsten Arendt.
    September 2007
    Vol. 46, No. 1
    TABLE OF CONTENTS PURCHASE
  • Cover: Two casts of Barnett Newman’s Broken Obelisk, 1963–67/1969 at Lippincott, Inc., North Haven, CT, ca. 1967. Courtesy Lippincott, Inc. photographs collection from the Archives of American Art, Smithsonian Institution. Photo: Ron Miyashiro.
    October 2007
    Vol. 46, No. 2
    TABLE OF CONTENTS PURCHASE
  • Cover: Mary Heilmann, Carmelita (detail), 2004, oil on canvas, 42 x 28".
    November 2007
    Vol. 46, No. 3
    TABLE OF CONTENTS PURCHASE
  • Cover: Artforum Best of 2007, See page 374 in the December issue for caption details.
    December 2007
    Vol. 46, No. 4
    TABLE OF CONTENTS PURCHASE
  • Cover: Phil Collins, britney #3 (detail), 2001, color photograph, 72 x 48".
    January 2008
    Vol. 46, No. 5
    TABLE OF CONTENTS PURCHASE
  • Cover: Alvin Baltrop, untitled (detail), n.d., black-and-white photograph. © 2008 The Alvin Baltrop Trust. Used with permission.
    February 2008
    Vol. 46, No. 6
    TABLE OF CONTENTS PURCHASE
  • Cover: Zoe Leonard, Analogue (detail), 1998–2007, one of approximately 400 black-and-white and color photographs, each 11 x 11".
    March 2008
    Vol. 46, No. 7
    TABLE OF CONTENTS PURCHASE
  • Cover: Damien Hirst, For the Love of God, 2007, platinum, diamonds, and human teeth, 63⁄4 x 5 x 7 1⁄2".
    April 2008
    Vol. 46, No. 8
    TABLE OF CONTENTS PURCHASE
  • Cover: Gustave Courbet, The Wave (detail), 1869, oil on canvas, 43 11⁄16 x 56 3⁄16".
    May 2008
    Vol. 46, No. 9
    TABLE OF CONTENTS PURCHASE
  • Cover: Wade Guyton, Untitled (detail), 2005, Epson UltraChrome ink-jet on linen, 39 3/8 x 35 7/16".
    Summer 2008
    Vol. 46, No. 10
    TABLE OF CONTENTS PURCHASE

2006–2007

  • Cover: Douglas Gordon and Philippe Parreno, Zidane, a 21st Century Portrait, 2006, still from a color video, 90 minutes.
    September 2006
    Vol. 45, No. 1
    TABLE OF CONTENTS PURCHASE
  • Brice Marden, 6 Red Rock 1 (detail), 2000–2002, oil on linen, 107 x 75".
    October 2006
    Vol. 45, No. 2
    TABLE OF CONTENTS PURCHASE
  • Tacita Dean, Kodak (detail), 2006, still from a black-and-white and color film in 16 mm, 44 minutes.
    November 2006
    Vol. 45, No. 3
    TABLE OF CONTENTS PURCHASE
  • Cover, left to right, from top left: Martin Kippenberger, 7. Preis (7th Prize), 1987, oil on canvas, 70 3/8 x 59 1/16“. Pawel Althamer, Fairy Tale (detail), 2006. Installation view, Pferdeställe des Postfuhrants (Post Office Stables), Augustrasse, Berlin. Photocopy of a reproduction of David Hammons, Higher Goals, 1986. From “David Hammons: The Unauthorized Retrospective,” Triple Candie, New York, 2006. Mike Kelley, Heartthrob Split, 2005, mixed media with video projection and photographs, dimensions variable. Installation view, Gagosian Gallery, New York, 2006. Park Chan-wook, Lady Vengeance, 2005, still from a color film in 35 mm, 112 minutes. Lee Geum-ja (Lee Young-ae). Students reenacting Allan Kaprow’s Household, 1964, as part of the exhibition “Allan Kaprow: Art as Life,” Haus der Kunst, Munich, 2006. Piotr Uklanski, Summer Love, 2006, still from a color film in 35 mm, 93 minutes. The Stranger (Karel Roden). Tacita Dean, Kodak, 2006, still from a black-and-white and color film in 16 mm, 44 minutes. Hannah Höch, The Beautiful Girl, 1919, photomontage and collage, 13 3/4 x 11 1/2”. Douglas Gordon and Philippe Parreno, Zidane: A 21st Century Portrait, 2006, still from a color video, 90 minutes. Gustav Klimt, Adele Bloch-Bauer II, 1912, oil on canvas, 74 3/4 x 47 1/4“. Ashley Bickerton, Green Reflecting Head Sam No. 2, 2006, printed paper with steel pins, 49 x 39”. Maureen Gallace, Cape Cod, Winter, 2004, oil on panel, 11 x 14“. View of “Isa Genzken,” 2006, Wiener Secession, Vienna.  Brice Marden, Lethykos (for Tonto), 1976, oil and beeswax on canvas, four panels, overall 84 x 72”. Poul Kjærholm, PK O, laminated wood chair, 1950–51. Lee Lozano, Ream, 1964, oil on canvas, 72 x 96“. Yves Klein, Untitled monogold (MG 17), 1960, gold leaf on board, 78 3/8 x 60 1/4”. From Blue monochrome, monogold, and monopink, “triptych,” 1960. Nuri Bilge Ceylan, Climates, 2006, still from a color film in 35 mm transferred from video, 97 minutes. Isa (Nuri Bilge Ceylan). Sigmar Polke, Untitled, 2006, artificial resin on polyester fiber, 46 x 54“. James Benning, Casting a Glance, 2006–, strip from an unfinished color film in 16 mm, approx. 90 minutes. Invitation for “Jürgen Klauke: Works from the Early ’70s,” Ritter/Zamet, London, 2006. View of Herzog & de Meuron, “Perception Restrained,” 2006, Museum of Modern Art, New York. Peter Fischli and David Weiss, Natural Grace (detail), 1984–85, color photograph, 16 x 12”. From the series “Stiller Nachmittag” (Quiet Afternoon), 1984–85.  Dominique Gonzalez-Foerster, Parc Central, 2006, still from a color video, 50 minutes. Nate Lowman, Oops Maxima (Peach), 2005, silk screen on canvas, 30 x 30“. Tony Oursler, Spaced, 2006, fiberglass sculpture, DVD, DVD player, Plus U7-132 XGA DLP digital projector, 50 x 67 x 27”. Damien Hirst, Ira Dei (The Wrath of God), 2005, acrylic, metal, shark, and formaldehyde solution, 78 x 108 x 36“. Cerith Wyn Evans, Please pay attention motherfucker, 2006. Installation view, Institute of Contemporary Art, London. Photo: Danny Birchall. Sofia Coppola, Marie Antoinette, 2006, still from a color film in 35 mm, 123 minutes. Marie Antoinette (Kirsten Dunst). Robert Rauschenberg, Charlene (detail), 1954, oil, charcoal, paper, fabric, newspaper, wood, plastic, mirror, and metal on four Homasote panels mounted on wood with electric light, 89 x 112 x 3 1/2”. Mel Bochner, Money/Obscene, 2006, oil on velvet, 74 x 47“. Adam McEwen, Dresden (Phosphorbrandbombe), 2006, phosphorescent paint and chewing gum on canvas, 90 x 70”. Christopher Williams, Rollerstacker, R-136MR, Manufacturer: The Kaynar Company, Los Angeles, CA, 90054. Date of production: 1975. Vancouver, BC, April 6, 2005 (NR. 1, 2 & 3), 2005 (detail), triptych, color photographs, each 16 x 20". Joan Jonas, The Shape, the Scent, the Feel of Things, 2005. Performance view, Dia:Beacon, Beacon, NY. Cameron Jamie, Kranky Klaus, 2002–2003, still from a color video, 26 minutes. Seth Price, Untitled Film, Right, 2006, still from a color film in 16 mm, 14 minutes. Venezuelan President Hugo Chávez addressing the 61st session of the United Nations General Assembly at UN headquarters, New York, September 20, 2006. Photo: AP/Julie Jacobson. View of Thomas Hirschhorn, “Superficial Engagement,” 2006, Gladstone Gallery, New York.
    December 2006
    Vol. 45, No. 4
    TABLE OF CONTENTS PURCHASE
  • Cover: Poster art for Bong Joon-ho's film The Host, 2006.
    January 2007
    Vol. 45, No. 5
    TABLE OF CONTENTS PURCHASE
  • Cover: Amy Sillman, The Plumbing (detail), 2006, oil on canvas, 69 x 80".
    February 2007
    Vol. 45, No. 6
    TABLE OF CONTENTS PURCHASE
  • Cover: Allen Ruppersberg, 24 Pieces (detail), 1970, artist’s book, fifty-eight pages, 6 1/4 x 8".
    March 2007
    Vol. 45, No. 7
    TABLE OF CONTENTS PURCHASE
  • Cover: Kara Walker, Hysteria! Savagery! Passions! (detail), 2006, gouache and paper collage on eleven panels, dimensions variable.
    April 2007
    Vol. 45, No. 8
    TABLE OF CONTENTS PURCHASE
  • Cover: Marina Apollonio, Dinamica circolare (Circular Dynamics), 1968, painted wood disc and motor, 15 3/4 x 15 3/4".
    May 2007
    Vol. 45, No. 9
    TABLE OF CONTENTS PURCHASE
  • Cover: Props from Guy de Cointet’s A New Life, 1981. Installation view, “Faire des choses avec des mots/Making Things with Words,” Centre Régional d’Art Contemporain Languedoc-Roussillon à Sète, 2006. Photo: Marc Dommage.
    Summer 2007
    Vol. 45, No. 10
    TABLE OF CONTENTS PURCHASE

2005–2006

  • Cover: Ed Ruscha, The Old Tool & Die Building (detail), 2004, acrylic on canvas, 52 x 116". Inset: Pipilotti Rist, Related Legs (detail), 2001, two-channel video projection on transparent curtains.
    September 2005
    Vol. 44, No. 1
    TABLE OF CONTENTS PURCHASE
  • Cover: Michael Krebber, Because of the Architect, the Building Fell Down (detail), 2000, paint on Masonite, 48 x 96 1/2“. Inset: Roni Horn, Portrait of an Image—Erika, Lena, Claire, Charlotte, Dominique, Jean, Mika, Isabelle, Marie, Emma, Beatrice, and Others (with Isabelle Huppert) (detail), 2005, 1 of 110 color photographs, 15 x 12 1/2” each.
    October 2005
    Vol. 44, No. 2
    TABLE OF CONTENTS PURCHASE
  • Cover: Isa Genzken, Geschwister (Brothers and Sisters) (detail), 2004, plastic, laquer, mirror foil, glass, metal, wood, and fabric, 86 3/5 x 23 3/5 x 39 3/8“.  Inset: Elizabeth Murray, Do the Dance (detail), 2005, oil on canvas, 9' 5” x 11' 3".
    November 2005
    Vol. 44, No. 3
    TABLE OF CONTENTS PURCHASE
  • Cover: Row 1, from left: T. J. Wilcox, Garland #4, 2005, still from a color film in 16 mm, 8 minutes 33 seconds. Jean-Michel Basquiat, Famous Negro Athletes #4, 1981, crayon on paper, 24 x 18“. From “East Village USA.” Isa Genzken, Tatoo, 2004, photograph on foil, mirror foil, adhesive tape, lacquer, and aluminum, 47 1/4 x 31 1/2”. View of “Rirkrit Tiravanija: A Retrospective (Tomorrow Is Another Fine Day),” 2004–2005, Museum Boijmans Van Beuningen, Rotterdam, 2004. Paul Chan, 1st Light [sic], 2005–, still from a color video, 14 minutes. From the series “Lights Cycle,” 2005–. View of “The Eye of the Storm: Works in situ by Daniel Buren,” Solomon R. Guggenheim Museum, New York, 2005. Jeroen de Rijke and Willem de Rooij, Mandarin Ducks, 2005, still from a color film in 16 mm, 36 minutes. View of the Walker Art Center, Minneapolis, MN, 2004. Row 2, from left: Satellite view of Hurricane Katrina, August 29, 2005. Jörg Immendorff, Letztes Selbstportrait I—das Bild ruft (Last Self-portrait), 1998, oil on canvas, 12' 10 3/4“ x 9' 10 1/8”. Paul McCarthy, “LaLa Land Parody Paradise,” 2005. Performance view, Haus der Kunst, Munich. Robert Bechtle, Alameda Gran Torino, 1974, oil on canvas, 48 x 69“. Karen Kilimnik, me - stole Martha - Paul’s dog - Primrose hill, Regent’s Park, London, 1965, 2004, oil on canvas, 24 x 20”. Henri Matisse, Pansies, 1903, oil on paper mounted on panel, 19 1/4 x 17 3/4“. © 2005 Succession H. Matisse, Paris/ Artists Rights Society (ARS), New York. Damien Hirst, Football Violence, Man with Cut Face, 2004–2005, oil on canvas, 36 x 36”. Christoph Büchel, Hole, 2005. Installation view, Kunsthalle Basel, 2005. Photo: Christoph Büchel. Row 3, from left: Marc Quinn, Alison Lapper Pregnant, 2005, marble, 11' 7 3/4“ x 5' 11 1/16” x 8' 6 3/8“. Rita Ackermann, Untitled (King Ubu series IV), 1996, collage on paper, 18 x 24”. Robert Gober, Untitled (detail) 2004–2005, bronze, cement, re-creation of American robin, and water, 112 1/4 x 39 1/2 x 41“. Martin Kippenberger, Untitled, 1992, oil on canvas, 70 13/16 x 59”. Paulina Olowska, Alphabet, 2005. Performance view, Galerie Meerrettich, Berlin, 2005. Barry Le Va, Shots from the End of a Glass Line, 1969–70/2005, glass, metal pipe, and bullets. Installation view, Institute of Contemporary Art, Philadelphia, 2005. Photo: Aaron Igler. Robert Smithson, Mirror with Crushed Shells (Sanibel Island), 1969, three mirrors, sand, and shells from Sanibel Island, Florida, each mirror 36 x 36“. © Estate of Robert Smithson/ Licensed by VAGA, New York, NY. Hatice Güleryüz, Strange Intimacies, 2005, still from a color video, 18 minutes. From the Istanbul Biennial. Row 4, from left: Artur Zmijewski, Repetition, 2005, still from a color digital video, 39 minutes. Albert Oehlen, Peon, 1996, oil on canvas, 75 1/2 x 75 1/2”. Jeff Wall, Milk, 1984, color transparency on light box, 72 9/16 x 89 3/16“. Seth Price, 24-7 What Should I Wear Today, 2005, high-impact polystyrene, 51 x 36”. Richard Tuttle, House, 1965, acrylic on plywood, 26 3/4 x 33 1/4 x 1 3/8“. Gilbert & George, Cited Gents, 2005, mixed media, 9'3 13/16” x 11'1 1/2“. Trisha Donnelly, Untitled, 2005, pencil on colored paper, 26 x 20”. Gelitin, Rabbit, 2005–. Installation view, Artesina, Italy. Row 5, from left: Cass Bird, I Look Like My Daddy, 2004, color photograph. From “Log Cabin.” Edouard Manet, Le Bal masqué à l’Opéra (Masked Ball at the Opera), 1873, oil on canvas, 38 3/8 x 28 3/4“. From “Faces in the Crowd.” Sea Anemone, Die Produzentin and Michael Höpfel, from “Michael Krebber,” Wiener Secession, 2005. Stan Douglas, Inconsolable Memories, 2005, still from two synchronized, asymmetrical film-loop projections; black-and-white film in 16 mm, 15 permutations with a common period of 5 minutes 39 seconds. Francis Alÿs, Guards, 2004, still from a color video, 30 minutes. Lucas Samaras, Park 1, 2005, color photograph, dimensions variable. Takashi Murakami, Time Bokan—Black, 2001, acrylic on canvas mounted on wood, 70 7/8 x 70 7/8”. © Takashi Murakami/Kaikai Kiki Co., Ltd.
    December 2005
    Vol. 44, No. 4
    TABLE OF CONTENTS PURCHASE
  • Cover: Rosemarie Trockel, Living Means Not Good Enough, 2002, color photograph, books, and magazine, 53 x 22 1/2 x 8".
    January 2006
    Vol. 44, No. 5
    TABLE OF CONTENTS PURCHASE
  • Michel Majerus, what looks good today may not look good tomorrow (detail), 1999, acrylic on canvas, 10' x 11' 10 1/2".
    February 2006
    Vol. 44, No. 6
    TABLE OF CONTENTS PURCHASE
  • Mark di Suvero and Rirkrit Tiravanija's Peace Tower under construction, Long Island City, New York, February 3, 2006. Photo: Emily Liebling
    March 2006
    Vol. 44, No. 7
    TABLE OF CONTENTS PURCHASE
  • Each copy of this month's Artforum features one of two cover images: Christopher Williams, Kodak Three Point Reflection Guide, © 1968 Eastman Kodak Company, 1968. (Meiko smiling), Vancouver, B.C., April 6, 2005 (detail), color photograph, 20 x 24“ and Christopher Williams, Kodak Three Point Reflection Guide, © 1968 Eastman Kodak Company, 1968. (Meiko laughing), Vancouver, B.C., April 6, 2005 (detail), color photograph, 20 x 24”.
    April 2006
    Vol. 44, No. 8
    TABLE OF CONTENTS PURCHASE
  • Cover: Glenn Ligon, Warm Broad Glow, 2005, neon and paint. Installation view, Contemporary Arts Museum Houston, 2006. Photo: Rick Gardner.
    May 2006
    Vol. 44, No. 9
    TABLE OF CONTENTS PURCHASE
  • Paul Chan, My birds . . . trash . . . the future, 2004, still from a digital animation, 16 minutes 37 seconds.
    Summer 2006
    Vol. 44, No. 10
    TABLE OF CONTENTS PURCHASE

2004–2005

  • Cover: Tom Sachs, Presidential Seal, 2004, mixed media, 108 x 108“. Inset: Glenn Brown, Anaesthesia, 2001, oil on panel, 41 1/2 x 32 5/8”.
    September 2004
    Vol. 43, No. 1
    TABLE OF CONTENTS PURCHASE
  • Cover: Cady Noland, CRATE OF BEER, 1989, crate, beer cans, and bungee cord, 11 x 13 x 15 3/4".
    October 2004
    Vol. 43, No. 2
    TABLE OF CONTENTS PURCHASE
  • Cover: Wilhelm Sasnal, Anka, Ewa, 2004, oil on canvas, 13 3/4 x 13 3/4". Inset: Harun Farocki, Eye/Machine II, 2002, still from a black-and-white and color video, 15 minutes.
    November 2004
    Vol. 43, No. 3
    TABLE OF CONTENTS PURCHASE
  • Cover, spiral from top right: Alex Bag, Coven Services—Demo Reel, 2004. Installation view, Elizabeth Dee Gallery, New York, 2004. Francis Bacon, Portrait of Michel Leiris, 1976, oil on canvas, 13 3/8 x 11 3/8“. Lee Bontecou, Untitled, 1959–60, welded steel, canvas, wire, and velvet, 58 x 99 x 15”. Louise Lawler, Salon Hodler, 1992–93, color photograph, 49 1/4 x 58 1/2“. Clifford Ross, Mountain I, 2004, color photograph, 5' 11 1/2” x 10' 10“. Ed Ruscha, The End #23, 2002, acrylic and ink on paper, 24 x 30”. Francis Alÿs, VW Beetle, 2004. Performance view, Kunstmuseum Wolfsburg, 2004. Photo: Joachin Ali Altschaffel. Catherine Sullivan, Ice Floes Franz Joseph Land, 2004, still from a black-and-white video, 20 minutes. Guy Bourdin, untitled, ca. 1978, color photograph. © Guy Bourdin Estate, 2004. Richard Prince, Untitled, 1983, color photograph, 27 x 40“. Jonathan Horowitz, Rainbow American Flag for Jasper in the Style of the Artist’s Boyfriend, 2004, enamel, paint, and glitter on linen, 42 x 60”. Lee Lozano, Untitled (Tool), 1964, graphite on paper, 8 1/2 x 10 3/4“. View of “A Minimal Future? Art As Object, 1958–1968,” Museum of Contemporary Art, Los Angeles, 2004. From left: Patricia Johanson, Minor Keith, 1967; Ronald Bladen, Three Elements, 1965. Mark Leckey, Made in ‘eaven, 2004, still from a color film in 16 mm, 20-minute loop. Andy Warhol, Self-Portrait, 1963–64, acrylic and silkscreen ink on canvas, 19 3/4 x 15 7/8”. © 2004 Andy Warhol Foundation for the Visual Arts/ARS, New York. Sturtevant, Lichtenstein Hot Dog, 1965–66, oil and acrylic on canvas, 24 x 41“. Karel Funk, Untitled (Blue Hood) (detail), 2002, acrylic on panel, 16 x 16”. On Kawara, June 10, 2004, acrylic on canvas, 10 x 13". Anri Sala, Mixed Behavior, 2003, still from a color DVD, 8 minutes 17 seconds.
    December 2004
    Vol. 43, No. 4
    TABLE OF CONTENTS PURCHASE
  • Cover: Carol Bove, Twiggy (detail), 2004, ink on paper, 22 x 14“. Inset: Kristin Baker, The Unfair Advantage (detail), 2003, acrylic on PVC, 60 x 108”.
    January 2005
    Vol. 43, No. 5
    TABLE OF CONTENTS PURCHASE
  • View of the Abby Aldrich Rockefeller Sculpture Garden, Museum of Modern Art, New York, 2004. Photo: Todd Eberle. Inset: Dan Flavin, untitled (to Emily), 1973. Installation view. National Gallery of Art, Washington, DC, 2004. Photo: Rob Shelley.
    February 2005
    Vol. 43, No. 6
    TABLE OF CONTENTS PURCHASE
  • Cover: Thomas Scheibitz, Springtime on Stage, 2005, detail of one of seven color photographs, 6 x 8 1/4“ or 8 1/4 x 6” each. Inset: Jacket photo of Susan Sontag from I, Etcetera, 1978. Photo: Thomas Victor.
    March 2005
    Vol. 43, No. 7
    TABLE OF CONTENTS PURCHASE
  • Cover: Kelley Walker, schema; Aquafresh plus Crest with whitener, 2003/2005, four-color commercial offset print from CD-rom, 10 1/2 x 10 1/2". Inset: Jack Goldstein, Some Butterflies, 1975, still from a color film in 16 mm, 30 seconds.
    April 2005
    Vol. 43, No. 8
    TABLE OF CONTENTS PURCHASE
  • Robert Gober, Untitled (detail), 2003–2005, bronze, beeswax, human hair, pigment, sock, and shoe, 24 1/2 x 40 x 34“. Photo: Russell Kaye. Inset: Daniel Buren, Painture aux forms variables (Painting with Variable Forms) (detail), 1966, paint on white-and-orange striped fabric, 87 x 77 3/16.”
    May 2005
    Vol. 43, No. 9
    TABLE OF CONTENTS PURCHASE
  • Cover: Andrea Zittel, A-Z Homestead Unit (detail), 2001, powder-coated steel, birch paneling, paint, polyurethane, and corrugated metal, 10 x 13 x 10". Inset: Jordan Belson, Samadhi (detail), 1966–67, still from a color film in 16 mm, 6 minutes.
    Summer 2005
    Vol. 43, No. 10
    TABLE OF CONTENTS PURCHASE

2003–2004

  • Cover: Handbag vendor, Venice, 2003. Photo: Roman Mensing/artdoc.de. From “Pictures of an Exhibition.” Inset: John Currin, Bea Arthur Naked (detail), 1991, oil on canvas, 38 x 32".
    September 2003
    Vol. 42, No. 1
    TABLE OF CONTENTS PURCHASE
  • Cover: Roe Ethridge, Pigeon (detail), 2001, color photograph, 38 x 30". Inset: Lygia Clark, Respire comigo (Breathe with me), 1966. Demonstration view. From “Feminism & Art.”
    October 2003
    Vol. 42, No. 2
    TABLE OF CONTENTS PURCHASE
  • Cover: Yinka Shonibare, Dorian Gray (detail), 2001, one of twelve photographs, each 48 x 60". From “Global Tendencies.” Inset: Edward Krasinski, Blue Scotch, 1968. Photo: Eustachy Kossakowski.
    November 2003
    Vol. 42, No. 3
    TABLE OF CONTENTS PURCHASE
  • Cover, spiral from top right: Jenny Saville, Reverse, 2002–2003, oil on canvas, 84 x 96“. Doug Aitken, Interiors, 2002. Installation view, Fabric Workshop and Museum, Philadelphia, 2003. Photo: Aaron Igler. Ellsworth Kelly, Blue Green Red I, 1964–65, oil on canvas, 9' x 10' 2”. View of “Francis Picabia,” Musée d’Art Moderne de la Ville de Paris, 2003. Photo: André Morin. Richard Prince, Nurses’ Dormitory (detail), 2002, ink-jet print and acrylic on canvas, 58 x 36“. Lisa Lapinski and Catherine Sullivan, Speech Model, 2003. Installation view, Galerie Mezzanin, Vienna. Rineke Dijkstra, Forte de Casa, May 20, 2000, color photograph, 49 5/8 x 42 1/8”. John Tremblay, Helvetica, 2002, acrylic and paint marker on canvas, 96 x 30“. Paul McCarthy, Piccadilly Circus, 2003, still from a color video. Dario Robleto, I Wanna Rock My Little Honda Across the Universe, 2000–2001, homemade crystals, 50,000-year-old meteorite fragment, ground amino acids, vinyl from the Beatles’ “Across the Universe” record, antique metal-and-glass syringe, rust, spray paint, plaster, and polyester resin, ca. 54 x 18 x 18”. From the series “Popular Hymns Will Sustain Us All (End It All),” 2000–2001. Olafur Eliasson, The Weather Project, 2003. Installation view, Tate Modern, London. Photo: Jens Ziehe. Philip Guston, Untitled (Head), 1980, acrylic and ink on paper, 20 x 30“. Herzog & de Meuron, Laban, 2003, London. Photo: Merlin Hendy and Martyn Rose. Boris Mikhailov, untitled, n.d., color photograph, 7 7/8 x 11 7/8”. From the series “Red,” 1968–75. Chris Ware, frame from Quimby the Mouse (Fantagraphics Books, 2003). Sherrie Levine, Avant-Garde and Kitsch, 2002, cast crystal, 7 x 2 7/8 x 1 3/4“; cast bronze, 7 1/2 x 2 1/2 x 2 3/8”. Takashi Murakami, Shitennoh (Guards), 2003. Installation view, Rockefeller Center, New York. Photo: Tom Powel.
    December 2003
    Vol. 42, No. 4
    TABLE OF CONTENTS PURCHASE
  • Cover: Judith Eisler, Smoker (Cruel Story of Youth) (detail), 2003, oil on canvas, 58 x 70". Inset: Ant Farm, Cadillac Ranch, 1974. Installation view, Amarillo, TX. From Winter Preview.
    January 2004
    Vol. 42, No. 5
    TABLE OF CONTENTS PURCHASE
  • Cover: Simon Starling, Work, Made-Ready, In Light of Nature (detail), 2003, mixed media, dimensions variable. Inset: Bruno Dumont, Twentynine Palms, 2003, still from a color film in 35 mm, 130 minutes. Katia (Katia Golubeva) and David (David Wissak).
    February 2004
    Vol. 42, No. 6
    TABLE OF CONTENTS PURCHASE
  • Cover: Matthew Buckingham, Image of Absalon to Be Projected Until it Vanishes (detail), 2001, slide projection and framed printed text, dimensions variable. Inset: Yana Klichuk during an April 2003 dress rehearsal for Liisa Roberts’s An Excursion in Vyborg June 18–20, 2003. Photo: Juhan Ulfsak.
    March 2004
    Vol. 42, No. 7
    TABLE OF CONTENTS PURCHASE
  • Cover: Ellen Gallagher, POMP-BANG (detail), 2003, paper, ink, plasticine, and resin on canvas, 8' x 16' x 2 1/2". Inset: Joan Jonas, Lines in the Sand, 2002. Performance view, Documenta 11, Kassel, 2002. Photo: Werner Maschmann.
    April 2004
    Vol. 42, No. 8
    TABLE OF CONTENTS PURCHASE
  • Cover: Dave Muller, Self-Portrait at the approach (359 pictures) (detail), 2004, synthetic polymer paint on paper, 84 x 36". From the 2004 Whitney Biennial. Inset: Bas Jan Ader, I’m Too Sad to Tell You, 1971, still from a black-and-white film in 16 mm, 3 minutes 21 seconds. From “The Big Nothing,” Summer Preview.
    May 2004
    Vol. 42, No. 9
    TABLE OF CONTENTS PURCHASE
  • John Waters, Visit Marfa, 2003, six-color inkscreen poster printed on clayboard, 33 x 22".
    Summer 2004
    Vol. 42, No. 10
    TABLE OF CONTENTS PURCHASE

2002–2003

  • Cover: Steve McQueen, Western Deep, 2002, still from a color film in 8 mm, 25 minutes. From Documenta11. Inset: Carroll Dunham, First Invisible Killer (detail), 2000, acrylic on linen, 79 x 73". From Fall Preview.
    September 2002
    Vol. 41, No. 1
    TABLE OF CONTENTS PURCHASE
  • Cover: Kai Althoff, Untitled (detail), 2001, lacquer, paper, watercolor, and varnish on canvas, 27 1/2 x 19 3/4 x 1 1/2“. Inset: Nan Goldin, Joana laughing, l’Hotel, Paris (detail), 1999, color photograph, 30 x 40”.
    October 2002
    Vol. 41, No. 2
    TABLE OF CONTENTS PURCHASE
  • Cover: Rachel Harrison, Utopia (detail), 2002, polystyrene, cement, Parex, acrylic, wood, ceramic figure, and pyrite, 84 x 40 x 38". Photo: Oren Slor. Inset: Gorgon Radeo of Forcefield, October 2001. Photo: Hisham Akira Bharoocha.
    November 2002
    Vol. 41, No. 3
    TABLE OF CONTENTS PURCHASE
  • Cover, spiral from top left: Paul Sietsema, Empire (detail), 2002, still from a color and black-and-white film in 35 mm, 24 minutes. Francis Alÿs, Cuando la fé mueve montañas (When faith moves mountains), 2002. Performance view, Lima, Peru, April 11, 2002. Eva Hesse, Ringaround Arosie, 1965, pencil, ink, and cloth-covered electrical wire on papier-mâché and Masonite, 26 3/8 x 16 1/2 x 4 1/2“. Thomas Hirschhorn, Bataille Monument, 2002. Installation view, Documenta 11, Kassel, Germany. Photo: Thorsten Arendt. Oliver Payne and Nick Relph, Mixtape (detail), 2002, still from a color film in 35 mm, 23 minutes. Gerhard Richter, Wiesenthal (Meadowland), 1985, oil on canvas, 35 5/8 x 37 1/2”. Carroll Dunham, Killer over the Water, 2000–2001, mixed media on linen, 96 x 84“. Philip Taaffe, Red Caliph, 2002, acrylic ink on paper mounted on canvas, 10 1/2 x 6”. Andrea Fraser, Little Frank and His Carp, 2002, still from a color video, 6 minutes. Barnett Newman, Onement I, 1948, oil on canvas, 27 1/4 x 19 1/4“. John Currin, Angela, 2001, oil on canvas, 22 x 16”. Michael Raedecker, Blind Spot (detail), 2000, acrylic and thread on canvas, 46 x 34“. Matthew Barney, CREMASTER 3, 2002, production still from a color video, 189 minutes. Rachel Harrison, What would it be like to be Imelda Marcos, 1996–97, polystyrene, papier-mâché, acrylic, and color photograph, 44 x 21 x 22”. Brice Marden, 6 Red Rock 1, 2000–2002, oil on linen, 107 x 75“.  Mel Bochner, Opaque #4 (detail), 1968, color photograph, 16 x 20”.
    December 2002
    Vol. 41, No. 4
    TABLE OF CONTENTS PURCHASE
  • Cover: Pierre Huyghe and Philippe Parreno, A Smile Without a Cat (Celebration of Annlee’s Vanishing), 2002, fireworks display, Miami Beach, FL. Organized by Sandra Antelo-Suarez and TRANS> at Art Basel Miami Beach. Photo: Angel Art Ltd. Inset: Andrew Hahn, Blood Picture #9 (detail), 2002, watercolor on paper, 12 x 15". From the series “Stalker,” 2002.
    January 2003
    Vol. 41, No. 5
    TABLE OF CONTENTS PURCHASE
  • Cover: Atlas Group/Walid Raad, Already Been in a Lake of Fire (detail), 2001, one of a series of color digital prints, 9 x 6 1/2“. Inset: Martin Kippenberger, Untitled (detail), 1998, oil on canvas, 94 1/2 x 78 3/4”.
    February 2003
    Vol. 41, No. 6
    TABLE OF CONTENTS PURCHASE
  • Cover: Louise Lawler, (bunny) Sculpture and Painting (detail), 1999, color photograph, 47 1/2 x 66“. Jeff Koons's Rabbit, 1986, and Peter Halley's The Acid Test, 1992, in ”The American Century" at the Whitney Museum of American Art, 1999.
    March 2003
    Vol. 41, No. 7
    TABLE OF CONTENTS PURCHASE
  • Martin Kippenberger’s Sympathische Kommunistin (Pleasant communist girl) (detail), 1983, as reflected in a mirror at the Chelsea Hotel, Cologne, ca. 1989.
    April 2003
    Vol. 41, No. 8
    TABLE OF CONTENTS PURCHASE
  • Cover: Philip Guston, Feet on Rug (detail), 1978, oil on canvas, 80 x 104". Inset: Jack Goldstein, The Jump (detail), 1978, still from a color film in 16 mm, 26 seconds.
    May 2003
    Vol. 41, No. 9
    TABLE OF CONTENTS PURCHASE
  • Cover: Ralph Goings, McDonald’s Pick-Up, 1970, oil on canvas, 41 x 41". From “Locus Focus: ‘Hyperrealisms.’” Inset: Cover of 
Walter Pfeiffer: 1970–1980 (detail).
    Summer 2003
    Vol. 41, No. 10
    TABLE OF CONTENTS PURCHASE

2001–2002

  • Cover: Ron Mueck, Untitled (boy), 1999–2001, mixed media with fiber-glass resin, 16 x 16 x 16'. Photo: Thorsten Arendt/artdoc.de. Inset: Julian Opie, Landscape ? 3, 1998, acrylic on vinyl and aluminum, 7' 10 1/2“ x 11' 1/2”.
    September 2001
    Vol. 40, No. 1
    TABLE OF CONTENTS PURCHASE
  • Cover: Jack Goldstein, Shane, 1975, still from a color film in 16 mm, 3 minutes. From “’80s Redux: ‘Pictures’ Reframed.” Inset: Lee Lozano, untitled (detail), 1964, pencil and crayon on paper, 11 3/4 x 17 3/4".
    October 2001
    Vol. 40, No. 2
    TABLE OF CONTENTS PURCHASE
  • Cover: John Pilson, Above the Grid (city and fog) (detail), 2000, black-and-white photograph taken from the ninety-first floor of One World Trade Center, 20 x 24“. Inset: Artist unknown, Himachal Pradesh, India, 18th century, ink on paper, 11 x 8”.
    November 2001
    Vol. 40, No. 3
    TABLE OF CONTENTS PURCHASE
  • Cover, spiral from top left: Luc Tuymans, Absence, 2001. oil on canvas, 47 1/4 x 53 1/4. Philip-Lorca diCorcia, Head #23 (detail), 2000. color photograph, 48 x 60“. Vik Muniz, Clouds, 2001, skywriting, New York City. Presented by Creative Time. Photo: Charlie Samuels. Thomas Ruff, d.p.b. 08 (detail), 2000, color photograph, 51 1/8 x 70 7/8”. Jun Nguyen-Hatsushiba, Memorial Project Nha Trang, Vietnam—Towards the Complex—For the Courageous, the Curious, and the Cowards, 2001, 12-minute color video. Jeff Mermelstein, September 11th 2001 (detail), color photograph. David Goldblatt, Fifteen-year-old Lawrence Matjee after his assault and detention by the Security Police, Khotso House, de Villiers Street, 25 October, 1985, black-and-white photograph. Olafur Eliasson, Moss Wall (detail), 1993–2001, wall covered in moss, dimensions variable. Installation view, ZKM, Karlsruhe, Germany. Thomas Hirschhorn, Laundrette, 2001, mixed media. Installation view, Stephen Friedman Gallery, London. Hiroshi Sugimoto, Napoleon Bonaparte (detail), 1999, black-and-white photograph, 58 3/4 x 47“. Pierre Huyghe, Les Grands ensembles, 1993–200, stills from a color video, 8 minutes. Irving Penn, untitled (detail), 2001, Vogue, July 2001. Condé Nast Publications. Andreas Gursky, Tote Hosen (detail), 2000, color photograph, 6' 10” x 16' 8“. Tacita Dean, Berwick Lighthouse (detail), 1996, color photograph, 18 x 24”. Jack Goldstein, MGM (detail), 1975, still from a color film in 16 mm, 2 minutes. Lucinda Devlin, Lethal Injection Chamber, Stateville Correctional Center, Joliet, Illinois, 1991, color photograph, 51 3/16 x 70 7/8".
    December 2001
    Vol. 40, No. 4
    TABLE OF CONTENTS PURCHASE
  • Cover: Gerhard Richter, 863-1, Moritz (detail), 2000, oil on canvas, 20 1/16 x 18 1/8“. Inset: Amy Sarkisian, White Queen (detail), 2000, color photograph, 40 x 50”.
    January 2002
    Vol. 40, No. 5
    TABLE OF CONTENTS PURCHASE
  • Cover: Hélio Oiticica, Neyrótika (detail), 1973, 35 mm color slide. Inset: Augustus Saint-Gaudens, The Children of Jacob H. Schiff (detail), 1884–1907, marble, 69 1/2 x 51". Metropolitan Museum of Art.
    February 2002
    Vol. 40, No. 6
    TABLE OF CONTENTS PURCHASE
  • Cover: R. Crumb, Erica, 1993, ink on paper, 11 1/4 x 8 1/4.“ Inset: Barnett Newman, Adam (detail), 1951–52, oil on canvas, 95 5/8 x 79 5/8.”
    March 2002
    Vol. 40, No. 7
    TABLE OF CONTENTS PURCHASE
  • Cover: William Eggleston, Untitled (detail), 1971, color photograph, 16 x 20“. From the portfolio “The Seventies, Volume II,” 1996. Inset: Marlon Banks, Invisible Man (detail), 1997, watercolor on canvas, 22 1/2 x 47”. From “Black Romantic.”
    April 2002
    Vol. 40, No. 8
    TABLE OF CONTENTS PURCHASE
  • Cover: Thomas Struth, Pergamon Museum I, Berlin (detail), 2001, color photograph, 77 5/8 x 97 3/4". Inset: Matthew Barney, CREMASTER 3 (detail), 2002, production still from a color film in 35 mm, 182 minutes. From “Matthew Barney: The CREMASTER Cycle.”
    May 2002
    Vol. 40, No. 9
    TABLE OF CONTENTS PURCHASE
  • Cover: Francis Alÿs, Cuando la fé mueve montañas (When faith moves mountains), 2002. Performance view, Lima, Peru, April 11, 2002. Inset: Gerhard Richter, 663-5, Betty (detail), 1988, oil on canvas, 40 1/8 x 23 3/8"
    Summer 2002
    Vol. 40, No. 10
    TABLE OF CONTENTS PURCHASE

2000–2001

  • Cindy Sherman, Untitled (detail), 2000, color photograph, 30 x 20“. Inset: Peggy Moffitt modeling a visor from Rudi Gernreich's ”Resort" line, 1965. Photo: William Claxton.
    September 2000
    Vol. 39, No. 1
    TABLE OF CONTENTS PURCHASE
  • Cover: John Wesley, B's Wall, 1973, acrylic on canvas, 42 x 50". Inset: Mike Kelley, Extracurricular Activity Projective Recondstruction #1 (A Domestic Scene) (detail), 2000, installation with 22-minute video.
    October 2000
    Vol. 39, No. 2
    TABLE OF CONTENTS PURCHASE
  • Cover: Paul McCarthy, My Doctor, 1978, mask, dolls, mannequin, screwdriver, butter, ketchup, and margarine. Performance view, New York. Inset: Jackson Pollock painting on glass, November 1950. Still from a 16 mm color film by Hans Namuth and Paul Falkenberg. © The Museum of Modern Art and Hans Namuth, Ltd.
    November 2000
    Vol. 39, No. 3
    TABLE OF CONTENTS PURCHASE
  • Cover, clockwise from top left: Dan Flavin, Untitled (Marfa project) (detail), 1996, colored fluorescent lights. Installation view, 2000. Doug Aitken, Electric Earth, 1999, production still. Cindy Sherman, Untitled (detail), 2000, color photograph, 44 x 33“. Léon Fréderic, The Stream (detail), 1890-99, oil on canvas, ca. 81⅛ x 111¼”. Stephen Prina, Vinyl II, 2000, still from a color film in 16 mm, 21 minutes 30 seconds. Gary Boas, Elizabeth Taylor, 1976, color photograph. Paul McCarthy, Tokyo Santa, 1996, Santa costume and ketchup. Performance view. Alice Neel, Andy Warhol (detail), 1970, oil on canvas, 60 x 40“. Gregor Schneider, Totes Haus ur (Dead House ur), 1985–, photographic documentation. External view, Rheydt, Germany. Photo: Gregor Schneider. James Coleman, Photograph, 1989–99, still from projected slide installation with synchronized audio narration, 20 minutes. Steven Meisel, Versace advertising campaign, fall 2000. Tom Friedman, Untitled, 2000, polystyrene, 16 x 16 x 16”. Peter Hujar, Dead Cat, Queens, 1984, black-and-white photograph, 14⅝ x 14¾“. Tom Sachs, Chill Out Japan or Be Nuked Again (detail), 1999, acrylic on resin, 36 x 36”. Damien Hirst, Love Lost (Large River Fish) (detail), 2000, aquatic tank and filtration unit, couch, table, still, surgical instruments, computer, ring, cup, watch, fish, 108 x 84 x 84". Rineke Dijkstra, The Buzzclub, Liverpool, England, 1996–97, still from a color video, 26 minutes 30 seconds.
    December 2000
    Vol. 39, No. 4
    TABLE OF CONTENTS PURCHASE
  • Cover: Andreas Gursky, May Day IV (detail), 2000, C-print, ca. 6' 6 3/4 x 16' 4 7/8“. Inset: Andreas Bowers, Study for Crowd Drawings (Soccer Fans in the Sun), 1999, colored pencil on paper, 22 1/2 x 30”.
    January 2001
    Vol. 39, No. 5
    TABLE OF CONTENTS PURCHASE
  • Joe Brainard, _Untitled (Tattoo), 1972, pencil and ink on paper, 18 x 14“. Inset: Andy Warhol, Pat Hearn, 1985, synthetic polymer paint and silk-screen ink on canvas, 40 x 40”.
    February 2001
    Vol. 39, No. 6
    TABLE OF CONTENTS PURCHASE
  • Photograph taken during production of Jeff Wall's The Flooded Grave (detail). Studying a Polaroid, December 1998. Inset: Euan Macdonald, Two Planes (detail), 1998, single-channel video with sound, 3 minutes 30 seconds.
    March 2001
    Vol. 39, No. 7
    TABLE OF CONTENTS PURCHASE
  • View of Atelier van Lieshout's AVL-Ville, February 2001. Photo: Derk Jan Wooldrik. Inset: Andy Warhol, Sylvester Stallone, 1980, Polaroid, 4¼ x 3⅜".
    April 2001
    Vol. 39, No. 8
    TABLE OF CONTENTS PURCHASE
  • R. M. Schindler, Harris House, 1942-44. Photo: Julius Shulman, 1942. Inset: Martial Raysse, Peinture á haute tension (Painting under high tension) (detial), 1965, oil, fluorescent paint, and neon tube on canvas and photographic paper, ca. 63 15/16 x 38 3/8".
    May 2001
    Vol. 39, No. 9
    TABLE OF CONTENTS PURCHASE
  • Thomas Ruff, stereo h.t.b. 06 (detail), 2000, color photograph, 16 x 16". Cover inset: Cameron Jamie, The New Life, 1996, performance view, Los Angeles.
    Summer 2001
    Vol. 39, No. 10
    TABLE OF CONTENTS PURCHASE
  • artguide
  • ADVERTISE
  • SUBSCRIBE
  • BACK ISSUES
  • CART
  • PRIVACY POLICY
  • CONTACT
  • FOLLOW facebook instagram twitter

All rights reserved. artforum.com is a registered trademark of Artforum International Magazine, New York, NY. Terms & Conditions