Even though German artist Isa Genzken has received solo surveys at institutions like Krefeld's Museum Haus Lange (in 1979) and Rotterdam's Boijmans (in 1989) and was selected to participate in Documentas 7 and 9, only of late has a new generation of curators discovered her current relevance, as evidenced by her influence on a host of contemporary artists Among the is Braunschweig director Karola Grässlin, who is installing this show of twenty-five sculptures and twenty photographs dating from 1973 to the present. A catalogue including installation views of the exhibition and an essay by critic Diedrich Diederichsen will be published on the occasion of the show.

— Yilmaz Dziewior