previews

  • Thomas Schütte, Melone 1:5, 1986, wood and paint, eleven parts. Installation view, Landesmuseum für Kunst und Kulturgeschichte, Münster, 1987. Photo: Tomasz Samek. © 2009 Thomas Schütte/VG Bild-Kunst, Bonn.

    Thomas Schütte

    Haus der Kunst
    Prinzregentenstrasse 1
    June 7–September 6, 2009

    Curated by Patrizia Dander and Thomas Weski

    Using irony and subtle humor to challenge monumentality, Thomas Schütte’s work counters the “straightness” of modernity with gestures of stumbling and failing—a strategy that should prove key in taking on the bombastic architecture and difficult National Socialist past of Munich’s Haus der Kunst. Centered around an eighteen-foot-high Styrofoam and plaster “anti-monument”—here referencing Schütte’s “Mann im Matsch” (Man in Mud) series—this substantial survey brings together more than one hundred works made since the early 1980s, including sculptures, architectural models, watercolors, and ceramics. Curators Dander and Weski highlight Schütte’s reflections on “ambivalence, tension, and conflict” throughout this wide range of media, but the accompanying catalogue is dedicated solely to the artist’s newest watercolors.