London

Yayoi Kusama, Untitled Accumulation, 1963, sewn stuffed animals, wooden chair, pin structure, 34 x 16 x 16".

Yayoi Kusama, Untitled Accumulation, 1963, sewn stuffed animals, wooden chair, pin structure, 34 x 16 x 16".

London

Yayoi Kusama

Tate Modern
Bankside
January 25–May 27, 2012

Museo Nacional Centro de Arte Reina Sofía
Calle de Santa Isabel, 52
May 11–September 18, 2011

Whitney Museum of American Art
99 Gansevoort Street
June 1–September 1, 2012

Centre Pompidou
Place Georges-Pompidou
October 19, 2011–January 9, 2012

Curated by Frances Morris

Now at the age of eighty-two, the maverick Japanese artist Yayoi Kusama will be the subject of a 150-work retrospective. Organized as a series of ambient clusters, the show presents different aspects and periods of Kusama’s six-decade career. Wols-like works from the late 1940s, the magnificent “Infinity Net” paintings of the late ’50s, “accumulations” and “self-obliteration” projects of the ’60s, a new mirrored “infinity corridor,” and other images made just this spring, rounded out by carbuncled furniture, painted bodies, visionary writing, scrapbooks, photographs, and clothes, all testify to the remarkable vitality of an oeuvre that spans the optical formalism of Zero and Nul and the psychosexual performance of Kembra Pfahler.