• Nathalie Djurberg, Deceiving looks, 2011, still from digital video, 5 minutes and 58 seconds.

    Nathalie Djurberg

    Walker Art Center
    725 Vineland Place
    September 8–December 31, 2011

    New Museum
    235 Bowery
    May 11–July 8, 2012

    Yerba Buena Center for the Arts
    701 Mission Street
    October 16, 2012–January 27, 2013

    Curated by Eric Crosby and Dean Otto

    In Nathalie Djurberg’s frenzied stop-motion animations, even innocuous actions—a kiss, a lick—quickly turn violent. The crude, childlike appearance of the Swedish artist’s handmade figures and environments renders her work all the more sinister and unsettling. For “The Parade,” her largest exhibition in an American museum to date, Djurberg explores the social psychology of birds—their mating rituals, flocking patterns, and territorial displays—with eighty-five freestanding mixed-media sculptures and five films (all of which are synced to one incongruously chipper score by Hans Berg). A catalogue with essays by the two curators will supplement Djurberg’s all-new body of work. Taking these strange winged creatures as a point of departure, the artist will undoubtedly present us with a terrifying and exhilarating universe of aviary perversions.