• Mike Kelley, Mr. and Mrs. Hermaphrodite, 2005, pencil, ink, gouache, and crayon on paper, 65 1/8 x 47 3/8".

    Mike Kelley

    Stedelijk Museum Amsterdam
    Museumplein 10
    December 15, 2012–April 1, 2013

    Curated by Eva Meyer-Hermann with Ann Goldstein, the Kelley Studio, Estate of Mike Kelley

    Jack Goldstein once quipped that the reason he left Metro Pictures was the low production value of Mike Kelley’s work. But Goldstein could never have guessed the degree to which Kelley’s powerful scale and polish would ultimately eclipse his own. If Kelley, early on, used shoddy materials to invoke a subordinate vernacular culture, his later embrace of high-tech fabrication effectively channeled the underside of our popular information economy— the reperformance of images, whether via sexting and online dating or in the scanning and viewing of a photograph’s surface. In an age of digital reproduction, Kelley’s oeuvre demands that we reappraise what it means to represent and what it means to recall, questions to be asked many times over in this first full career survey.