• Michael Snow, Authorization, 1969, Polaroid Type 55 prints, adhesive tape, mirror in metal frame, 21 1/2 x 17 1/2".

    Michael Snow, Authorization, 1969, Polaroid Type 55 prints, adhesive tape, mirror in metal frame, 21 1/2 x 17 1/2".

    “Michael Snow: Photo-Centric”

    Philadelphia Museum of Art
    26th Street and the Benjamin Franklin Parkway
    February 1–April 27, 2014

    Curated by Adelina Vlas

    In Authorization, 1969, Michael Snow transformed the seemingly static, two-dimensional photographic medium into something both sculptural and performative: Shooting his own reflection with a tripod-mounted camera, he then pasted the resulting self-portrait onto the mirror’s surface, repeated the process four more times, and exhibited the collaged result. That same year, in One Second in Montreal, Snow took a different tack, producing a motion picture using only a series of still images of snowy landscapes. Both works showcase the Canadian artist’s eccentric approach to photography, a medium fundamental to his entire oeuvre and the focus of this survey at the Philadelphia Museum (the first exhibition to specifically address this element of his practice since “Projects: Michael Snow—Photographs” at New York’s Museum of Modern Art in 1976). Curator Adelina Vlas will bring together some thirty pieces made between 1962 and 2003 in which Snow diffracts photography across painting, sculpture, film, and music.

  • “Ruffneck Constructivists”

    Institute of Contemporary Art, University of Pennsylvania
    University of Pennsylvania 118 South 36th Street
    February 12–August 17, 2014

    Curated by Kara Walker

    In 2006, Kara Walker made her curatorial debut at the Metropolitan Museum of Art with her post-Katrina exhibition “After the Deluge.” Her sophomore effort’s mash-up title, “Ruffneck Constructivists,” conjoins the ethos of Russia’s revolutionary avant-garde with MC Lyte’s early-1990s track. Walker will go beyond her authorial interest in the psychosexual phantasms of American cultural history in selecting more than thirty recent works by artists from the US, Eastern Europe, and South Africa: Dineo Bopape, Kendell Geers, Arthur Jafa, Kahlil Joseph, Jennie C. Jones, Deana Lawson, Rodney McMillian, William Pope.L, Tim Portlock, Lior Shvil, and Szymon Tomsia. Muscularly responding to ideas of space, policing, and antisociality, the show will emphasize works in sculpture, installation, video, and photography, and will include a full roster of performances, talks, and screenings. The catalogue is designed by artist A. K. Burns, with original texts by Walker and architectural theorist Craig Wilkins.