previews

  • “Carl Andre: Sculpture as Place, 1958–2010”

    Dia:Beacon
    3 Beekman Street
    May 5–March 2

    Curated by Yasmil Raymond and Philippe Vergne

    In Carl Andre’s own telling, his sculpture has occupied three distinct phases: “sculpture as form” (the carved beams of 1958–59), “sculpture as structure” (the stacked constructions of 1959–65), and “sculpture as place” (the horizontal arrangements of bricks and metal plates of 1966–2010 for which he is best known). This long-awaited retrospective, the artist’s first in the US in more than thirty years, aims to trace the contours of these developments with some fifty works produced between the late 1950s and early 2000s. Yet the show promises much more: Accompanied by a scholarly catalogue, it will feature roughly 165 of Andre’s concrete poems, as well as a selection of his little-known “Dada Forgeries”—“minor” pun-infused readymades largely inspired by Duchamp, an artist Andre once declared himself against.

    Travels to Museo Nacional Centro de Arte Reina Sofía, Madrid, May 7–Oct. 12, 2015; Hamburger Bahnhof—Museum für Gegenwart, Berlin, May 7–Sept. 25, 2016; Musée d’Art Moderne de la Ville de Paris, Oct. 20, 2016–Feb. 12, 2017.