previews

David Hammons, Time Out (Basketball Drawing) (detail), 2004/2010, graphite on paper with alarm clock, 44 x 28 3/4 x 6".

Aspen

Yves Klein/David Hammons

Aspen Art Museum
637 East Hyman
August 9 - November 30

Curated by Heidi Zuckerman Jacobson

Nouveau Réaliste Yves Klein was notorious in the 1960s for using women as “human paintbrushes,” while American Conceptualist David Hammons gained renown a decade later for indexical drawings made using his own greased-up body. Though the two artists’ practices emerged from vastly different contexts and conversations, this exhibition—one of several inaugurating the AAM’s new downtown venue—contends that an irreverent attitude toward artmaking connects Klein and Hammons in intriguing ways. Three themes, “Ritual,” “Process,” and “Transformation,” promise to link the show’s forty-nine works on more than just formal grounds, hopefully allowing ephemeral actions like Klein’s Zones of immaterial pictorial sensibility, 1962—in which a notional artwork was transferred to its collector via a ceremonial toss of gold into the Seine—and Hammons’s sidewalk sale of melting snowballs (Bliz-aard Ball Sale, 1983) to be productively regarded together. A catalogue with contributions by Jacobson, Philippe Vergne, and Klaus Ottmann accompanies the show.