previews

  • “Andrea Büttner: 2”

    Museum Ludwig
    Heinrich-Böll-Platz
    September 5, 2014–March 15, 2015

    Curated by Julia Friedrich

    When Andrea Büttner takes on the soulfully self-conscious themes of shame, asceticism, and faith and realizes them in clay, glass, and woodcuts, an educated pathos results. The central piece for this solo exhibition is as straightforward as it is nigh unimaginable: Based on the images that Kant mentions as examples and metaphors, she has illustrated his Critique of Judgment, thus allowing venerable philosophical concepts to turn sensual and contemporary. In the show’s other production, expanding on her performance-based work Piano Destructions, 2014, Büttner continues to explore classical instruments as engaged by Fluxus artists, who were nearly infatuated with detourning the device while freeing the player of evaluation. Rather than a catalogue, there will be Büttner’s illustrated edition of Kant’s Kritik, published by none other than Felix Meiner Verlag—the German-speaking world’s quintessential philosophy press. The exhibition’s numerical title, meanwhile, refers not only to the count of works presented but also to “judgment” shorthanded as the creation of two distinct fields.