previews

Devo, University of Illinois, Chicago, October 16, 1981. From left: Jerry Casale, Bob Casale, Mark Mothersbaugh, Alan Myers. Photo: Paul Natkin.

Denver

“Mark Mothersbaugh: Myopia"

Museum of Contemporary Art, Denver (MCA DENVER)
1485 Delgany Street
October 30 - May 1

Curated by Adam Lerner

Every band I have ever known has had at least one artist in its entourage; somebody has to make the posters and the album covers. For Devo, an absurdist punk-rock band formed in 1972 whose members were influenced by the aesthetics of Russian Futurism, just about everyone in the group was an artist—including Mark Mothersbaugh. The artist’s first retrospective shows us—with works dating from the 1960s to the present, including photocollages, kinetic musical sculptures, 30,000 underground-comics-style works on paper, and even a double-ended car—that Mothersbaugh is not only a great film composer (note his collaborations with Wes Anderson) but a polymath artist. A publication with contributions by Lerner, Anderson, and Shepard Fairey, among others, will further explore the artist’s life and his oeuvre, which ranges from mail art to the music of Pee-wee’s Playhouse. Travels to the Minneapolis Institute of Arts, June 21–Aug. 30, 2015; Cincinnati Art Museum and Contemporary Arts Center, Oct. 7, 2015–Jan. 5, 2016.