New York

“Robert Gober: The Heart is Not a Metaphor”

MoMA - The Museum of Modern Art
11 West 53rd Street
October 4–January 18

Curated by Ann Temkin and Paulina Pobocha

Robert Gober’s iconic wax legs and oblique domestic objects possess the force of an eruption. They remain the most evocative sculptural rendition I have seen of the unconscious making itself known. That his work emerged during the plague years of HIV/AIDS only adds to the pain that typically accompanies psychic discovery. Gober is also one of our primary interlocutors with Marcel Duchamp—not the Conceptual, institutional-critique Duchamp, but the more elusive and evocative strain of Duchamp’s oeuvre that concerns itself with the problems of love, desire, and marriage. This retrospective of some 140 works from the 1970s through the present includes the return of Gober’s magisterial Dia installation of 1992. The catalogue comes with an essay by critic Hilton Als: Who could ask for a more affective and intelligent pairing?