New York

Grete Stern, Autorretrato (Self-Portrait), 1943, gelatin silver print, 8 3/4 × 11". © Estate of Horacio Coppola.

Grete Stern, Autorretrato (Self-Portrait), 1943, gelatin silver print, 8 3/4 × 11". © Estate of Horacio Coppola.

New York

“From Bauhaus to Buenos Aires: Grete Stern and Horacio Coppola”

MoMA - The Museum of Modern Art
11 West 53rd Street
May 17–October 4, 2015

Curated by Roxana Marcoci and Sarah Meister with Drew Sawyer

This spring, MoMA will host the first large-scale exhibition to grant international visibility to the photographs of Grete Stern and Horacio Coppola. The transatlantic journey of these creative partners (and, at one point, spouses) demonstrates that before the paralysis of Europe during World War II, avant-gardes emerged simultaneously in various metropolises of the world, eradicating the notion of periphery. Stern and Coppola left a Bauhaus closed by the Nazis to land eventually in Buenos Aires, where they hosted Argentina’s “first” exhibition of modernist photography and ran a commercial studio. Stern, in particular, conceived of feminist images that echoed the era’s widespread disenchantment with patriarchal societies. On view will be 250 original photographs and photomontages, 40 typographic works, 26 photobooks and periodicals, and four 16-mm films (many of which have never been exhibited), while the catalogue provides new translations of the artists’ writings, as well as essays from the curators and scholar Jodi Roberts.