Curated by Maurice Berger

Kennedy-era FCC chairman Newton Minow wasn’t referencing T. S. Eliot when he called commercial television a “vast wasteland”—or was he? The mixed-media exhibition (and accompanying catalogue) “Revolution of the Eye” argues that, particularly in its formative years, network TV was a modernist form. The show draws on some 260 art objects, artifacts, and clips from the late 1940s through the mid-’70s; artists range from ex-Dadaists (Duchamp, Man Ray) and Pop stars (Lichtenstein, Warhol) to the great vulgar modernist Ernie Kovacs, with guest appearances by Dalí and de Kooning. Sampled TV includes Op-inflected Kodak commercials, the pop surrealism of The Twilight Zone, the pop Pop Batman, and Winky Dink and You, the original interactive TV show that inspired countless children to draw on their TVs and George Landow to make underground movies. Travels to the Nova Southeastern University Museum of Art, Fort Lauderdale, FL, Oct. 17, 2015–Sept. 28, 2016, and other venues.

— J. Hoberman