previews

Geoffrey Farmer, Boneyard (detail), 2013, paper, wood, glue, dimensions variable. Photo: Jean Vong.

Boston

Geoffrey Farmer

ICA - Institute of Contemporary Art, Boston
25 Harbor Shore Drive
April 13–July 31

Curated by Dan Byers

Geoffrey Farmer succinctly noted, some months back, “My work appears to me as wreckage”—articulating the formal-pileup effect of his exploded-collage installations, the air of obsolescence emanating from the vintage print media he uses so pointedly, and even the way his hundreds of Frankensteined cutouts swarm like the undead and stand at attention. He captures that intoxicating Benjaminian sensation that we experience when faced, like the angel of history, with the quantities of accretion and devastation that constitute the stuff of the archive and “progress.” Monumental, room-size stagings of the miniature, including Boneyard, 2013, and The Surgeon and the Photographer, 2009–13, will be featured in this survey of Farmer’s recent paper sculptures, a mostly medium-specific presentation with the notable exception of a computer-generated algorithmic slide show. An artist-driven publication, with a text by the curator, will accompany the exhibition.