previews

Agnieszka Polska, I Am the Mouth II, 2014, HD video, color, sound, 5 minutes 45 seconds. From “Suspended Animation.”

Washington, DC

“Suspended Animation”

Hirshhorn Museum and Sculpture Garden
Independence Avenue at Seventh Street, SW
February 10 - March 12

Curated by Gianni Jetzer

Animated film has come a long way since J. Stuart Blackton’s pioneering Humorous Phases of Funny Faces (1906), with its crude sequences of goofy chalkboard drawings. An evolving palette of digital animation technologies—motion capture, ever more detailed 3-D visualization—shapes not only mainstream culture but, increasingly, the work of artists (and the oft-unsung technicians to whom they outsource their production). “Suspended Animation” brings together Ed Atkins, Antoine Catala, Ian Cheng, Josh Kline, Helen Marten, and Agnieszka Polska, an international hexad whose practices are differentiated enough to suggest not only computer animation’s pervasiveness but also its flexibility—witness Atkins’s emotive avatars adrift in an uncanny valley, Cheng’s simulations mutating in real time, Polska’s fluent digital-psychedelic effects, and Marten’s loquacious skeuomorphic crossbreeds. In spite of these individual approaches, expect a shared responsiveness to the digital age’s manifold crises, from the specter of surveillance to the collapse of distinctions between virtual and physical realities.