previews

  • Hélio Oiticica, PN1 Penetrável (PN1 Penetrable), 1960, oil on wood, 79 7/8 × 59 × 59". Installation view, Centro Municipal de Arte Hélio Oiticica, Rio de Janeiro, 2008. Photo: César Oiticica Filho.

    “Hélio Oiticica: To Organize Delirium”

    Carnegie Museum of Art
    4400 Forbes Avenue
    October 1 - January 2

    Curated by Lynn Zelevansky, Elisabeth Sussman, James Rondeau, and Donna De Salvo

    Hélio Oiticica is an artist whose name has become ubiquitous in discussions of global contemporary art, yet his work is often represented or described in limited, even self-serving ways. “To Organize Delirium”—a collaboration between the Carnegie Museum of Art, the Art Institute of Chicago, and the Whitney Museum of American Art in New York—should constitute a welcome corrective by providing the most complete retrospective to date (151 pieces in all media, including twenty-three works by other artists) and an extensive scholarly catalogue with contributions by the curators as well as from many younger scholars of Brazilian art and culture. The exhibition will also be the first to extensively explore Oiticica’s time in London and New York (1969–78) and will enrich our sense of the artist’s foundational contributions to both historical and contemporary international conversations about modernism, sexuality, and the political potential of art. Travels to the Art Institute of Chicago, Feb. 19–May 7, 2017; Whitney Museum of American Art, New York, July 14–Oct. 1, 2017.