previews

Sarah Oppenheimer, Rotation Study: S-281913, 2016, digital video, black-and-white, silent, 15 seconds.

Miami

“Sarah Oppenheimer: S-281913”

Pérez Art Museum Miami (PAMM)
1103 Biscayne Blvd.
September 30 - April 30

Curated by René Morales

The complex interplay between movement and perception has long been the crux of Sarah Oppenheimer’s work. Interrogating the ways in which architecture inflects our movement and thereby frames the horizon of our experience, her astonishingly precise interventions into institutional spaces—which often take the form of apertures cut in walls, floors, and ceilings—produce sudden shifts, expansions, and occlusions in our visual field as we pass around and through them. Her upcoming installation S-281913 is an audacious extension of this logic: Oppenheimer proposes to animate her work itself by introducing two large rotating glass panels that will alternate between transparency and reflection depending on their position and that of the viewer. Situated within Herzog & de Meuron’s concrete-and-wood galleries (rather than in the white cube that is Oppenheimer’s typical milieu), the work’s mix of active viewer, kinetic sculpture, and assertive architecture promises to be an unusually catalytic combination.