Louise Lawler, Arranged by Donald Marron, Susan Brundage, Cheryl Bishop at Paine Webber, Inc. NYC (adjusted to fit), 1982/2016, adhesive vinyl, dimensions variable.

New York

“Louise Lawler: Why Pictures Now”

MoMA - The Museum of Modern Art
11 West 53rd Street
April 30 - July 30

Curated by Roxana Marcoci with Kelly Sidley

The success of Louise Lawler’s highly anticipated first New York museum survey hangs on the question of how this immensely influential artist will negotiate the demands of a retrospective, which all but necessitates the repackaging of the artist’s work into an “authoritative” reading. For principled refusal fuels every aspect of Lawler’s exacting practice, which is marked by the artist’s reservation with respect to doing what’s deemed proper for a successful career, and reticence, if masked by nonchalance, in response to the demand for a signature artistic identity. Yet another, more pressing question emerges: In what fraught ambiguities will the dark thread that has run through her practice of recent years, centered on the imbricated triad of patriarchy, capitalism, and war, manifest today? Lawler’s re-presentation of a multifarious oeuvre, stretching over some four decades, contains the potential to reshape the discourse that will govern its reception in our increasingly fraught times. Douglas Crimp, Rosalyn Deutsche, Diedrich Diederichsen, and five additional essayists contribute to a comprehensive catalogue.