Houston

Two self-adhesive name tags from Paul Ramírez Jonas’s Hello I Am, Hello I Was (detail), 2012.

Houston

“Paul Ramírez Jonas: Atlas, Plural, Monumental”

Contemporary Arts Museum Houston
5216 Montrose Boulevard
April 29–August 6, 2017

Curated by Dean Daderko

An artist for whom audience participation is at the very conceptual—and ethical—core of his practice, Paul Ramírez Jonas creates work that is not simply for civic spaces but also interrogates how such spaces and the publics they serve are constituted. Over the past decade, the artist’s engagement with the mechanics of sociospatial interaction has become increasingly physicalized—whether involving the distribution of keys that offer individuals access to (alternately) a single tiny park or a city’s worth of museums and other culturally notable sites, or the creation of sculptures that formally mimic grand monuments but whose true function is broadly egalitarian, intended to support conversation. This midcareer retrospective features a selection of Ramírez Jonas’s work from the past twenty-five years, including site-specific interventions here represented by artifacts and didactic materials, and is accompanied by a catalogue with essays by the artist, Daderko, Bill Arning, Claire Barliant, and Shannon Jackson.