This talented artist has taken over the entire Ferus Gallery to glorify an obsessive, theatrically effective not always formally satisfying but unreservedly tasteful and sophisticated replica of a 1943 American house of ill repute complete with Madame, juke box, fusty couches and cheap movie magazines. The total impact is something less than sensational but his old-maidish preoccupation with minutiae marks him as an outstanding (though a bit chaste) renderer of historical documentation. As such his tableau may be considered a smashing success. As an artistic happening however only the few actual constructions managed to transcend their ordinary meanings in attaining an identification as sculpture.

—Arthur Secunda