In this well-known New York artist’s second show in less than a year here, light oils, gouaches and drawings of city scenes and children are only appetizer fare. Heavily outlined forms and rather dry, earthy, somber colors, modify semi-cute subjects. The exhibition somehow seems to be the remains of a good show, something that was perhaps left over rather than specifically selected. One would hope for more careful editing in Kleinholz’s next viewing here.

—Arthur Secunda