Highlighting a most satisfying group show is a large oil by Arthur Okamura entitled Waterfall. Without actually representing landscapes, his shapes make pictorial suggestions which represent nature nostalgically. Mintz’s tasteful, loosely painted oil entitled Buzzing, is calligraphic in its delicacy, while Douglas Snow offers abstractions consisting of heavy linear images. Carl Morris’ paintings have an air of distinction, getting much of their poetic quality from stitched, staccato brush-strokes.

—Jules Engel