Neither adequately lighted, identified not attended, the group sow ar the Arles Gallery has little opportunity to be seen as much more than an amateur effort. Although there is little choice to be made, the works of J. Fisher came off best in spite of their immature handling of color and roughness of treatment. It is about time that the art market should level off, weeding out some of the inadequate works put up for sale. Sincere as both artists and dealers may be, there is a limit to public gullibility. 

—C. P.

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