Los Angeles

Katherine Kadell

Paideia Gallery

Her sculptures are modest in size. Her emotion and technique, when successful, are equally modest. Such immaterial feelings as nostalgia or contemplation are pleasantly clear in a female torso and a seated female in bronze. A small bull and a sheet bronze relief avoid the tentative lumpiness of other works by being simple. She falls farthest where she aims highest; operatic statements are not her metier. Only once does she strike a sonorous note, in a stone Sacrificial Altar that outstrips its size. For the rest she exhibits unpaid debts to Barlach, Rodin, Degas and others with whom she shares little common ground.

William Wilson

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