Los Angeles

Susaan Lautman Hertel

Comara Gallery

Shape handling, solid composition and a mood of relaxed correctness make Hertel’s paintings look fine. She reminds us of Vuillard because of her muted ochres, blacks and browns. She makes domestic interiors and likes to use dogshapes and other commonplaces of the menage in chopped-off views. Shapes are her principal ploy; she uses them decoratively and she uses them to force space. Rarely does she elaborate them, leaving them to function as planes.

It is harder to join those who praise either her brush or her color. She characteristically applies paint thinly with a fast, scrubbing motion. The result is a sparse and overactive surface which lacks variety. Her use of fat paint shows buttery. Her ancestors, Gauguin, Vuillard, Matisse and, locally, Roger Kuntz, share an ability to make the difficult look easy. Hertel sometimes fudges difficulties in favor of effects. Her small, Zajac-like

to keep reading

Artforum print subscribers have full access to this article. Please sign in below.

Not registered for artforum.com? Register here.

SUBSCRIBE NOW and save up to 65% off the newsstand price for full online access to this issue and our archive.

Order the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.