His sculptures and drawings are all about poetic anguish and sex. In form they reflect an awareness of Moore and Brancusi but in spirit they belong to the attenuated sensibility of the end of the century, and to Northern romanti­cism. Mask and Hands has the sad­ness of Lehmbruck, a drawing of some floating nudes relates directly to a study by Gustav Klimt, flowing half­-torsos in bronze are sculptural transcriptions of the same idea. There is a curious unwillingness to make a state­ment that is evidenced by the general­ity of the works. Hueter seems either to quit just short of commitment or to polish beyond it.

—William Wilson