Los Angeles

Jess Collins, Judy Gerowitz, Irving Petlin, Robert Indiana, George Herms, Lowell Nesbitt, Lynn Foulkes, and Lloyd Hamrol

This group show introduced a couple of new people to the gallery’s regular stable. With few exceptions it proves how much more satisfying contemporary artists are when seen individually. It sets one to wondering if the bad old days of the masterpiece and the tour-de-force are altogether gone.

Robert Indiana comes as close as anyone to giving a work that is all his work compounded. An enormous yellow and black format in form of a fat “X” strikes us as more fruitful than all his recent number pictures added up. Each segment of the work contains a circle divided horizontally. In the top half of each one are the letters USA variously underlined with the monosyllable EAT, DIE, HUG, or ERR. One circle has the numerals 666—which could represent either the evangelical mark of the beast or a bookkeeper’s pun for sick, sick, sick. In any case the work is thought-provoking and diverting to look at.

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