• “Synchronism and Related American Color Painting”

    San Francisco Museum of Art

    The summer season at the San Francisco Museum of Art was, for the most part, given over to a slow procession of limited-itinerary touring exhibitions originating elsewhere. An exhibition entitled “Synchronism and Related American Color Painting,” currently circulated by the Museum of Modern Art in New York, and seen here as a corridor show during June and July, was an historical footnote, as it were, isolating for scrutiny a minuscule and fleeting ripple in the main wave of Cubist influence on early 20th-century American painting.

    William C. Agee’s informative and well-illustrated catalog for a

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  • “The Drawings of Hyman Bloom”

    University of Connecticut Museum of Art

    “The Drawings of Hyman Bloom,” organized and circulated by the University of Connecticut Museum of Art brought to the San Francisco Bay Area a varied and extensive introductory survey of distinguished graphic work by an artist whose reputation in the eastern United States—particularly along the Boston-New York-Philadelphia axis—is already solidly established, and for whom over the past decade drawing has tended to emerge as the predominant vehicle of a distinctive style.

    Although born in 1913, a subject of the late Czar Nicholas II in what is now (Soviet) Lithuania, Hyman Bloom was only seven

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